Dumonteil is pleased to present the solo exhibition of Cuban artist Ruben Fuentes. This is his third personal exhibition in Paris. The exhibition features 16 recent paintings and 2 installations by the artist, including several large-format works, showing how the artist also explores the relationship between nature, man and the void.
This exhibition is the result of 3 years of pictorial reflection, started at the beginning of 2020 with the pandemic. We were confronted directly with this void: galleries, art fairs, museums, all closed. Instead, we stayed at home, locked up, social distancing requires. In this exhibition Ruben seeks to represent the void or space that exists between natural elements, and to explore through the representation of emptiness and nature an expression of the complex relationship between man and nature in order to convey messages about the importance of preserving our natural environment.
In Taoist Eastern philosophy, the void has no negative connotation, but is considered a space of unlimited creation, a place where the vital breaths that animate the Tao or Dào circulate. Empty space is used to suggest infinity, calm, solitude or serenity. In this series of paintings by Ruben Fuentes, the void is literally treated as an element of the composition.
Emptiness of absence or fog which will dialogue with the spaces occupied by symbolic figures of our imagination, Emptiness which brings mystery, silence and the necessary aesthetic reserve. Many of the circular compositions in the form of mandalas use a central void. They can be used as a support for meditation. But are also a reflection on the origins of the universe, when space and time began 14 billion years ago. The matter of the cosmos also began thanks to the stars. It can be said that we, the animals, the trees, the minerals, are stardust, because the chemical elements which form life were created inside the stars. This is the case of the paintings in the series A brief history of time (in homage to Stephen Hawking), Habiter l'étoile, or the installations Construction - deconstruction.
The void is also treated by leaving the support blank. The paint accidents in stain shapes that give rise to landscapes and were created by practicing Zen meditation, which is essentially emptying one's mind. And this is how irruptions of gestures or splashes emerge that you cannot create if you think.
As in previous exhibitions, it is the representation of abundant nature that gives meaning to this series. Nature is the space of the full, the void is the place of circulation of harmonious breaths to allow new births.
ABOUT THE ARTIST
Ruben Fuentes
Born in 1980 in Cuba, Rubén FUENTES lives and works in Paris after a long stay in Spain.
Graduated from Fine Arts in Havana, holder of a Doctorate and a Masters from the University of Valencia.
Artist of great talent whose strong and singular work is recognized in France and abroad, his works are in public collections such as the Museum of Hunting and Nature in Paris, the Instituto Confucio and in institutions public in the United States, Cuba, Switzerland and Spain.
Since 2004, he has participated in numerous collective and personal exhibitions in France, Spain, Switzerland, Cuba, the United Kingdom, China and the United States.
Rubén FUENTES has been represented by Galerie DUMONTEIL since 2016.
Press release courtesy Dumonteil Contemporary.
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