Max Hooper Schneider explores the intersections between ecology, technology, and relationality in his artistic practice. With a background in landscape architecture and marine biology, Schneider presents an alternative reality of a post-human world through various means such as dioramic miniature landscapes, uranium glass sculptures, electroplated plants, microscopic cinema, and aquariums filled with human artefacts and marine organisms. In this reality, described by the artist as "trans-habitat", everything undergoes continuous morphogenesis and autopoiesis. Schneider constructs or simulates unique ecologies devoid of human presence, highlighting the interconnections between different worlds, species, and entities, blurring the boundaries between the living and non-living, and the organic and inorganic.
The exhibition centres around the concept of the 'Traumatic Sublime,' which explores the marvels and horror that emerge in the aftermath of ecological collapse or 'geotraumas' caused by humans. Through continuous technological reinvention, Hooper Schneider showcases new material forms and amalgamations, creating immersive experiences that challenge viewers to reconsider their anthropocentric positioning and perspectives on life, death, and the material states. The exhibition is curated by UCCA curator Luan Shixuan.
Press release courtesy UCCA Dune.
Aranya Gold Coast,
Beidaihe, Hebei
Qinhuangdao
China
Tuesday – Sunday
9:30am – 5pm
Closed Monday