This gem of a sculpture shown at Frieze Art Fair 2020 with Richard Saltoun online.
Imprisoned for over ten months in concentration camps during the Second World War as a Polish Jew, Szapocnikow's work functions as a record of both her memory as well as a commentary on the female form. Best known for her resin casts of body parts, her sculptures explore a black humour rooted in the fragility and sexualisation of the female body.
The death of Stalin in 1953 saw the Polish government loosening control over creative freedom and prompted Szapocznikow's move to figurative abstraction.
Lamp Double Mouth on Phallus (1967) is part of her sculptures produced in the 1960s that employ bright polyester resins and the forms of lips and breasts. With light bulbs concealed within, these works take the form of functional desk lamps, adding to the artist's commentary on consumer culture and modular reproduction.