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Sharjah Biennial 14: Leaving the Echo Chamber Ocula Report Sharjah Biennial 14: Leaving the Echo Chamber 15 Mar 2019 : Stephanie Bailey for Ocula

In Meiro Koizumi's three-channel video installation, The Angels of Testimony (2019), the central frame features an interview with Hajime Kondo about his time as a solider of the Imperial Japanese Army during the Second Sino-Japanese War. The conversation centres on war crimes perpetrated in China, including the beheading of Chinese prisoners for...

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Diana Campbell Betancourt Ocula Conversation Diana Campbell Betancourt

Diana Campbell Betancourt is a curator working predominantly across South and Southeast Asia. Since 2013 she has been the founding artistic director of the Samdani Art Foundation and chief curator of the Dhaka Art Summit in Dhaka, Bangladesh, a transnational art event that has grown in size and scale ever since its first edition in 2012. Backed by...

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Chinternet Ugly at Manchester’s Centre for Chinese Contemporary Art Ocula Report Chinternet Ugly at Manchester’s Centre for Chinese Contemporary Art 7 Mar 2019 : Mike Pinnington for Ocula

China, home to 802 million internet users, is subject to sophisticated online censorship. This shrouded state of affairs, unsurprisingly perhaps, serves to reinforce stereotypes around conformity elsewhere. Any realm, digital or otherwise, subject to such strict scrutiny must necessarily be bland and uncritical, right? I was mulling over such...

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Browse Artworks

Yamamoto Gendai

Gallery Info
Untitled (40) by Etsuko Fukaya contemporary artwork Etsuko FukayaUntitled (40), 2014 Etching,
17 x 32 cm
Goddess of Theater by Kei Imazu contemporary artwork Kei ImazuGoddess of Theater, 2014 Oil on canvas
73 x 117 cm
Goddess of Theater  by Kei Imazu contemporary artwork Kei ImazuGoddess of Theater , 2014 Oil on canvas
73 x 117 cm
Vases by Kei Imazu contemporary artwork Kei ImazuVases, 2012 Oil on canvas
100 x 100 cm
Odalisque by Kei Imazu contemporary artwork Kei ImazuOdalisque, 2012 Oil on canvas
91 x 91 cm
Dancers by Kei Imazu contemporary artwork Kei ImazuDancers, 2013 Oil on canvas
90 x 146 cm
Mauritania by Yayoi Deki contemporary artwork Yayoi DekiMauritania, 2014 Acrylic paint on paper mounted on panel
117 x 117 cm
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Sullivan + Strumpf

Gallery Info
Sabine by Aida Tomescu contemporary artwork Aida TomescuSabine, 2011 Oil on canvas
183 x 152.5 cm
Poinciana by Aida Tomescu contemporary artwork Aida TomescuPoinciana, 2011 Oil on canvas
183 x 137.5 cm
Anemone I by Aida Tomescu contemporary artwork Aida TomescuAnemone I, 2014 Oil in Belgian linen
183 x 152.5 cm
No results found.

STPI

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I was like that myself…we all held each other's hands by Suzann Victor contemporary artwork Suzann VictorI was like that myself…we all held each other's hands, 2015 Screen print, stonehenge paper, Fresnel lenses, acrylic frame
71 x 101 x 8 cm
Pondification II by Suzann Victor contemporary artwork Suzann VictorPondification II, 2015 Décollage, performance on layered coloured paper pulp
84 x 317 cm
Holding 2 by Suzann Victor contemporary artwork Suzann VictorHolding 2, 2015 Décollage, weaving on layered coloured paper pulp
Twice Upon a Juliet III by Suzann Victor contemporary artwork Suzann VictorTwice Upon a Juliet III, 2015 Spit bite aquatint on Saunders 638 gram paper
150 x 150 cm
No results found.

Chalk Horse Gallery

Gallery Info
Freemantle Port Study (yellow) by Jasper Knight contemporary artwork Jasper KnightFreemantle Port Study (yellow), 2014 Acrylic and gesso on conservation card
152 x 102 cm
Grey Goose 3 by Jasper Knight contemporary artwork Jasper KnightGrey Goose 3, 2014 Acrylic and gesso on conservation card
152 x 102 cm
Grey Goose 1 by Jasper Knight contemporary artwork Jasper KnightGrey Goose 1, 2014 Acrylic and gesso on conservation card
152 x 102 cm
Harbour Bridge (detail) by Jasper Knight contemporary artwork Jasper KnightHarbour Bridge (detail), 2014 Acrylic and gesso on conservation card
152 x 102 cm
Boatsales.com.au by Jasper Knight contemporary artwork Jasper KnightBoatsales.com.au, 2014 Acrylic and gesso on conservation card
152 x 102 cm
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