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Sharjah Biennial 14: Leaving the Echo Chamber Ocula Report Sharjah Biennial 14: Leaving the Echo Chamber 15 Mar 2019 : Stephanie Bailey for Ocula

In Meiro Koizumi's three-channel video installation, The Angels of Testimony (2019), the central frame features an interview with Hajime Kondo about his time as a solider of the Imperial Japanese Army during the Second Sino-Japanese War. The conversation centres on war crimes perpetrated in China, including the beheading of Chinese prisoners for...

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Diana Campbell Betancourt Ocula Conversation Diana Campbell Betancourt

Diana Campbell Betancourt is a curator working predominantly across South and Southeast Asia. Since 2013 she has been the founding artistic director of the Samdani Art Foundation and chief curator of the Dhaka Art Summit in Dhaka, Bangladesh, a transnational art event that has grown in size and scale ever since its first edition in 2012. Backed by...

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Chinternet Ugly at Manchester’s Centre for Chinese Contemporary Art Ocula Report Chinternet Ugly at Manchester’s Centre for Chinese Contemporary Art 7 Mar 2019 : Mike Pinnington for Ocula

China, home to 802 million internet users, is subject to sophisticated online censorship. This shrouded state of affairs, unsurprisingly perhaps, serves to reinforce stereotypes around conformity elsewhere. Any realm, digital or otherwise, subject to such strict scrutiny must necessarily be bland and uncritical, right? I was mulling over such...

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Browse Artworks

Lehmann Maupin

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Mnemosyne by Shirazeh Houshiary contemporary artwork Shirazeh HoushiaryMnemosyne, 2018 Red pigment and graphite on black aquacryl on canvas and aluminium
190 x 270 cm
Blurring by Shirazeh Houshiary contemporary artwork Shirazeh HoushiaryBlurring, 2018 Blue pigment and graphite on black aquacryl on canvas and aluminium
120 x 120 cm
Lunate by Shirazeh Houshiary contemporary artwork Shirazeh HoushiaryLunate, 2018 Glass and polished stainless steel
130.8 x 67 x 30.8 cm
The Oracle by Shirazeh Houshiary contemporary artwork Shirazeh HoushiaryThe Oracle, 2018 Cast aluminium and paint
120.3 x 152.8 x 35 cm
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Hauser & Wirth

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Unisex Love Nest by Mike Kelley contemporary artwork Mike KelleyUnisex Love Nest, 1999 Installation with 1-channel video (colour, sound)
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Gagosian

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Industrial Village by Ed Ruscha contemporary artwork Ed RuschaIndustrial Village, 1982 Pastel on paper
96.5 x 127 cm
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Tina Kim Gallery

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Mat 55 x 40 #18-07 by Suki Seokyeong Kang contemporary artwork Suki Seokyeong KangMat 55 x 40 #18-07, 2017–2018 Painted steel, woven dyed Hwamunseok, thread, wood frame, brass bolts, leather scraps
59.5 x 42 x 5 cm
What you see is the unseen / Chandeliers for Five Cities DSR04-D-02 by Kyungah Ham contemporary artwork Kyungah HamWhat you see is the unseen / Chandeliers for Five Cities DSR04-D-02, 1966 North Korean hand embroidery, silk threads on cotton, middle man, anxiety, censorship, ideology, wooden frame, approx. 2100hrs/ 1 person
87 x 126 cm
Conjunction 16-380 by  contemporary artwork Conjunction 16-380, 2016 Oil on hemp cloth
162.2 x 130.3 cm
Ecriture No. 201-85 by Park Seo-Bo contemporary artwork Park Seo-BoEcriture No. 201-85, 1985 Oil on cotton
150 x 75 cm
With Winds by  contemporary artwork With Winds, 1988 Oil and mineral pigment on canvas
72 x 90 cm
Untitled by  contemporary artwork Untitled, 1986 Gouache, Chinese Ink on Korean paper
224 x 170 cm
Untitled (Short People)
Red, Pink, Pink, Red by Gimhongsok contemporary artwork GimhongsokUntitled (Short People) Red, Pink, Pink, Red, 2018 Cast bronze, stone
115 x 52.5 x 30 cm
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Perrotin

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Untitled Painting by John Henderson contemporary artwork John HendersonUntitled Painting, 2017 Oil on canvas
76 x 61 cm
The ghost of Souris by Sophie Calle contemporary artwork Sophie CalleThe ghost of Souris, 2017 Digital photograph, text, wooden framing
76 x 50 cm
Portrait of an orchid by Klara Kristalova contemporary artwork Klara KristalovaPortrait of an orchid, 2017 Glazed porcelain
49 x 32 cm
Vernal by Bernard Frize contemporary artwork Bernard FrizeVernal, 2014 Acrylic and resin on canvas
220 x 180 cm
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