STPI's Emi Eu reflects on S.E.A. Focus, an STPI project platforming artists and galleries from Southeast Asia, in the wake of Art Stage's decline in 2019 and ahead of the launch of Singapore's new art fair, Art SG, in October 2020.
With India Art Fair set to open amid nationwide protests, Kanika Anand introduces shows in New Delhi, Mumbai, and Kolkata that express shifting socio-political identities, modes of resistance, and explorations of place-making.
Images from abroad , Lada Nakonechna's solo exhibition at Galerie EIGEN + ART in Berlin, considers the barriers that exist between depictions of conflict and their viewers.
Questioning the ritualistic relationship between art and the spectator, Jeppe Hein creates witty and minimalist installations that intervene with both indoor and outdoor spaces deliberately blurring the boundaries between conceptual art and mechanical objects. Combining sculpture and installation with architecture and technology, he mixes the notion of the functional with the artistic and by setting up a dialogue between the work, the viewer and the site of intervention, he suggests that the audience contributes to the completion of the work. Whilst his style refers to minimalism, and to abstract concepts, he also tries to depart from an abstract experience by making the audience physically activate the work.
Text courtesy 303 Gallery.
This September, internationally celebrated contemporary artist, Jeppe Hein has created a new site-specific labyrinth installation at Massachusetts’ World’s End in Hingham. A New End is part of a new two-year outdoor art initiative, Art and The Landscape, presented by The Trustees and curated by guest curator Pedro...
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