Ongoing since 2012, the Real DMZ Project interrogates the demilitarised zone (DMZ) between North and South Korea through annual, research-based exhibitions that bring together the works of Korean and international artists. Sunjung Kim, the independent curator behind the project, conceived the idea of exploring the DMZ while curating Japanese artist...
London's galleries and museums are gearing up for a lively October, with Frieze London and Frieze Masters running between 3 and 6 October 2019 at Regent's Park, along with 1-54 Contemporary African Art Fair, taking place across the same dates at Somerset House; and the tenth anniversary of the Sunday Art Fair, showcasing new and emerging artists...
Mark Bradford walks through Mark Bradford: Los Angeles Mark Bradford: Los Angeles at the Long Museum West Bund in Shanghai (27 July–13 October 2019) is the artist's largest solo exhibition to date in China. In this video for Ocula, Bradford and Diana Nawi, curator of the show, walk through selected works that convey the artist's concerns with...
Nathaniel Mellors and Tala Mandani. Photo: Eric Minh Swenson. Image via The Huffington Post.
On November 1, 2017, The Museum of Contemporary Art held a luncheon honoring Lillian Lovelace and Tala Madani. Lovelace and Madani were celebrated for their extraordinary talents and contributions to the arts.
Through her provocative, often pastel-coloured cartoonish paintings and her stop-motion animations depicting eerie spaces and groups of men engaged in fictitious erotic rituals, Tala Madani subverts gender roles, reimagines sexual identity and visualises psychological unease. Her artwork is playful, perverse and shows no restraint in depicting baseless desires and primitive forms of the human body.
Born in Tehran in 1981, Madani moved to western Oregon at the age of 15, going on to graduate with a BFA from Oregon State University in 2004, and with an MFA from Yale University School in 2006. In 2007, she presented her debut exhibition at Lombard-Freid Projects Gallery, New York, which featured her now-popular 'cake paintings'—a series in which half-naked men prance in and around pink, gooey birthday cakes.
In a profile published in The New Yorker, Mandani's exploration of the secretive behaviour of men and their daily habits is traced back to trips she took with her Grandfather to Tehran's Mellat Park, where she would watch her grandfather and other men chat with one another. Yet the men in Mandani's paintings and videos do not appear in public spaces, but instead are caught in seemingly private acts that are often sexually explicit. In Enema up the ladder (2012), for example, one man is depicted giving another an enema and in Morris Men with Piss Stain (2013), a group of smiling figures bask in their own bodily fluids. There is also a continuous sense of machismo and childlike curiosity in Madani's work—an exploration of desire that often becomes violent. For instance, in the stop-motion video Sex Ed by God (2017), a floating pair of pink lips gives lessons on how best to perform cunnilingus to an audience of a clapping boy and a mumbling man, alongside a projected image of a girl. After a minute and a half, the girl eventually reaches out of the frame, grabs the two figures and stuffs them neatly into her vagina.
Using garish and cartoonish elements in her work, often depicting exaggerated genitals and damaged or disembodied body parts, her work has resulted in comparisons to artists such as Mike Kelley, Philip Guston and Sue Williams. For example, in O (2012), Madani depicts a man sitting on a chair, smiling as he strokes his oversized ejaculating penis, which, arched over his head, appears threatening. Similarly, in The Gift (2015), she paints a sheepish boy-like figure in a backlit doorway, his penis splayed out on the floor in front of him and taking up almost a third of the composition while an impossibly sized penis almost fills the canvas in Son Down (2015), dwarfing the three figures of the composition.
Madani has shown at the Liverpool Biennial (2010), Venice Biennale (2011), Göteborg International Biennial for Contemporary Art (2013), Marrakech Biennale (2014), Taipei Biennial (2014), and the Whitney Biennial in New York (2017), and has work held in numerous public and private collections.
Select exhibitions include ASS•AS•SIN: hashish anyone?, Lombard-Freid Projects, New York (2008); Greater New York, MoMA PS1, New York (2010); The Jinn, Stedelijk Museum Bureau Amsterdam (2011); Rip Image, Moderna Museet, Malmö and Stockholm (2013); Abstract Pussy, Pilar Corrias Gallery, London (2014); Tala Madani, Centro Andaluz de Arte Contemporáneo, Seville (2014); Get Rid of Yourself: America is Hard to See, Whitney Museum of American Art, New York (2015); Smiley has no nose, David Kordansky Gallery, Los Angeles (2015); First Light, Contemporary Art Museum St Louis (2016); Shitty Disco, Pilar Corrias Gallery, London (2016); Tala Madani, La Panacée, Montpellier (2017).
In 2012 Madani was awarded the Volkskrant Art Award, and in 2013 she received the Catherine Doctorow Prize for Contemporary Painting. In 2007 she was the artist in residence at the Rijksakademie van beeldende kunsten, Amsterdam, and she held the Abbey Painting Fellowship of the British School at Rome in 2010.
Madani lives and works in Los Angeles.
Mike Nelson, a British artist twice shortlisted for the Turner Prize, is best known for labyrinthine installations that simultaneously engage with and transform their architectural surroundings.
For two weeks in July, a mirrored sphere is taking flight above the eastern US coastline and western Berkshire mountains of Massachusetts. Reflecting back the sun, clouds, and natural surroundings, the nomadic piece of public art is Doug Aitken's response to many of the most beautiful places in Massachusetts protected by The Trustees of...
The project, called New Horizon, lifts off on 12 July at Long Point beach on Martha's Vineyard. Over the following 16 days, it will alight at the Farm Institute in Edgartown, the Holmes Reservation in Plymouth, the DeCordova Sculpture Park and Museum in Lincoln, the Castle Hill on the Crane Estate in Ipswich, the Naumkeag in Stockbridge and the...
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