STPI's Emi Eu reflects on S.E.A. Focus, an STPI project platforming artists and galleries from Southeast Asia, in the wake of Art Stage's decline in 2019 and ahead of the launch of Singapore's new art fair, Art SG, in October 2020.
With India Art Fair set to open amid nationwide protests, Kanika Anand introduces shows in New Delhi, Mumbai, and Kolkata that express shifting socio-political identities, modes of resistance, and explorations of place-making.
Images from abroad , Lada Nakonechna's solo exhibition at Galerie EIGEN + ART in Berlin, considers the barriers that exist between depictions of conflict and their viewers.
It was seeing old photographs of fascist-era Roman statues commissioned by Italian dictator Benito Mussolini in the early 1930s with the hope that Rome would host the 1944 Summer Olympics (London ended up winning the bid, but the games were cancelled due to World War II) and the 1942 World’s Fair – which was also cancelled – that caused artist...
In 1991, in response to critiques of his exhibition No Man’s Time at Villa Arson in Nice, curator Éric Troncy wrote a letter to the editors of Flash Art, in which he argued that the exhibition had been “based on no particular concept,” thus locating it outside of any theoretical framework. Instead, he positioned the show in...
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