STPI's Emi Eu reflects on S.E.A. Focus, an STPI project platforming artists and galleries from Southeast Asia, in the wake of Art Stage's decline in 2019 and ahead of the launch of Singapore's new art fair, Art SG, in October 2020.
With India Art Fair set to open amid nationwide protests, Kanika Anand introduces shows in New Delhi, Mumbai, and Kolkata that express shifting socio-political identities, modes of resistance, and explorations of place-making.
Images from abroad , Lada Nakonechna's solo exhibition at Galerie EIGEN + ART in Berlin, considers the barriers that exist between depictions of conflict and their viewers.
Sigrid Sandström explores the relationship between the artist, artwork and the viewer, specifically where the focus of her work should lie. In her paintings, she explores site as concept as well as experience. Sandström's large-scale, barren and uninhabited landscapes have gradually shifted and become more abstract over time. Failing to conform to specific categories of painting, her work continuously investigates the ontological conditions and limitations of the medium of painting. This indeterminacy forms a central role both in its investigative production and its relationship to the viewer.
Text courtesy Anat Ebgi.
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