'Carne Sintética' (Cultured Meat), Erika Verzutti's latest exhibition at Fortes D'Aloia & Gabriel, features a new series comprising 15 bronze, papier-mâché and clay reliefs that conjure an array of chunky, crunchy and creamy-looking foodstuffs, showcasing the artist's technical skill across a range of media.
Artist Hito Steyerl demands that state-run German art institutions stop showing her work as part of the country's "external cultural diplomacy" until the country changes its policy toward the Turkish invasion of Kurdish areas in northeast Syria. Steyerl made her demand in a performance piece on Saturday, October 26, at the Maxim-Gorki...
When you hear a reference to "the Armory" or "the Arsenale," are you more likely to think of an exhibition space, an art fair, a biennale—or a militarized building constructed to house a stockpile of weapons? In her exhibition Drill, on view through July 21 at the Park Avenue Armory in New York, Hito Steyerl reminds us...
If somebody were to write a new Book of Revelation for the 21st century, it would read a lot like the multimedia miseries of Hito Steyerl. The 53-year-old German artist is foremost a researcher interested in the effects of globalization, the onslaught of technology, the future of labor, and our susceptibility to abuses under this new...
Presenting a commissioned video installation and existing work by multimedia artist Hito Steyerl, Drill at the Park Avenue Armory is the Berlin-based artist's most expansive presentation in the United States to date. Installed inside the historic Gothic Revival style building's various rooms and sprawling Wade Thompson Drill Hall, the exhibition...
VENICE, Italy — Acqua alta : high water. It's something Venetians have learned to live with, when the city floods under high tides and strong winds. It mainly happens in the winter, but even under the mild May sunshine, the crowds sipping coffee in Saint Mark's Square will sometimes get their feet wet. At these times, the lines between...
There are hundreds of exhibitions in Venice during the Biennale. Alongside the main exhibition in the Giardini and Arsenale, there are 90 national presentations, many in nearby pavilions in the Giardini and in spaces around the Arsenale, but also dotted throughout Venice. Then there are the official collateral exhibitions in museums and galleries...
For the past couple of years, the arrival of spring has coincided with the transformation of the Centre Pompidou's South Galleries into a laboratory for experiments at the crossroads of art and new technologies.
How much of Darren Bader's art do we need in the world? The world, after all, is already full of the kinds of objects that Bader brings into his exhibitions: art, words, images, personalities, ideas. Its very fullness is arguably the condition that Bader's work both critiques and thrives on. 'The world is full of objects, more or less interesting;...
The state of the "millennial" is a complex and nebulous thing. Some define Generation X by its widespread affinity for decorative succulents. Some note an eye for a very specific, and hotly debated, shade of apricot-salmon pink. Others scorn millennials for the remorseless, cold-blooded murder of wine corks, the napkin industry, and...
I haven’t seen anyone capture our current state of disconnect better than Josh Kline does in Evidence, a show of work by seven artists, himself included, that he curated for Metro Pictures. In the front room, Oto Gillen’s handsome photographs of ominous Wall Street skyscrapers and Allyson Vieira’s apocalyptically cheery wall-mounted arrows made...
Coming of age during the second wave of Italian Futurism, the artist and designers’ mind-boggling experiments in genre and classification
For his current exhibition at Michigan State University’s Broad Museum, Michael E. Smith had the handles removed from the large glass doors to the exhibition space. Smudges from the labor remain — he requested that custodians not clean the glass for the show’s duration. The blemishes are barely noticeable, as the doors stay open during business...
Why make art when buyers treat works as an alternative currency, hiding them away like bullion bars in storage facilities? Can anything be done about questionable corporations and oppressive regimes using contemporary art to generate a spot of positive PR for themselves? And what links can be made between fuzzy surveillance images and abstract...
Münster, in North Rhine-Westphalia, Germany, is a worthy contender for the title of bicycle capital of Europe. Visitors heading to the city's decennial event, Skulptur Projekte, saw bicycles parked or abandoned immediately outside Münster Central Station, a telling sign that the event and city is best experienced on two wheels, and on a leisurely...
It is not always clear that one is looking at a Darren Bader work. The venturesome New York–based artist has quietly, almost covertly, presented two burritos on a windowsill at MoMA PS1, his aunt's SUV in a sculpture park during Miami Basel, and a ponytail floating in a canal in Venice (that one was called canal and/with ponytail ). Once you are...
Given the current political climate, we here at frieze have been reflecting on the role of art in responding to conflict. With this in mind, we invited a cross-section of artists, curators and writers to answer two deceptively simple questions: ‘How important is art as a form of protest?’ and ‘How effective is it as a conduit of change?’ Responses...
More than two hundred artists, musicians, writers, and arts professionals from forty countries have pledged to take part in Hands Off Our Revolution, a global art project that will organize a series of exhibitions and other programming to confront the rise of right-wing populism around the world.
Water gives life; life needs water. These fundamental realities can easily sound like truisms. But artist Kader Attia managed to invigorate conversations on the subject with renewed environmental and political urgency during the two-day symposium Vive L’Indépendance de L’Eau ( Long Live the Independence of Water ) that he organized at the...
Japanese artist Takashi Murakami’s artistic practice is expansive – spilling into fashion, film and other commercial areas. The artist turned to curating in the early 2000s, producing several projects, including Superflat (an exhibition that toured Nagoya Parco Gallery, Los Angeles Museum of Contemporary Art, Walker Art Center and Henry Art...
On 15 November 2016 the Chinese Contemporary Art Award (CCAA) announced winners Cao Fei, He Xiangyu and Xu Bing. In its 10th edition, the award was founded in 1997 by pioneering Swiss collector Uli Sigg, who began collecting Chinese contemporary artists in the 1990s. The aim of CCAA is to give awards to Chinese artists and art critics who show...
By asking what art 'does,' the curators of the eleventh Gwangju Biennale betray a palpable anxiety about whether the field in which we work makes any meaningful contribution to the societies in which we live. The feeling will be familiar to many of us in these increasingly ugly times, in which to be 'doing' anything other than...
Victoria Miro stages a group exhibition by artists concerned with socio-political issues of their day, who question the status quo and the power structures found within societies, and who take the language of protest as a means to explore its potency. Inspired by Alice Neel’s 1936 painting Nazis Murder Jews, the exhibition draws together new...
An undulating promenade enters, wraps and surmounts the new building’s roof. Inside, in MAAT director Pedro Gadanho’s words, ‘a totally fluid space, counter-intuitive to the idea of the white cube’ unfurls with a sequence of museological greatest hits woven into both the building’s physical form and the ambitions of...
