'A Picture of War is Not War', we read in Hito Steyerl's iconic film November (2004), an essayistic Super 8 film tackling the definition of terrorism constructed around the figure of the artist's best friend Andrea Wolf, who was killed as a terrorist in 1998 in Eastern Anatolia after she joined the PKK (Kurdistan Workers' Party). Mixing documentary...
There has been a flurry of triennial and biennial art activity in Japan this year. The Aichi Triennale opened in Nagoya this August, sparking a national debate about the shutting down of a display of formerly censored works—the result of public backlash against a burnt image of Emperor Hirohito and a statue commemorating the women forced into...
Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...
One would think that the work of a photographer who has captured the same location for the last three decades would become redundant or tiresome. However, renowned South Korean photographer Bae Bien-U proves that endless beauty can be found in even the most repetitive of subjects. In his first solo exhibition in Hong Kong at Axel Vervoordt Gallery, entitled 分合 PART: MEET, Bae presents five new black-and-white photographic prints from his Sonamu–Pine Trees series (2015), returning to his favorite subject of the pine trees found in the forested mountains of Gyeongju. The tightly-cropped images of ghostly trees, so emblematic of Bae’s work, prompt the viewer to join in the artist’s exploration of the relationship between the life forces of humanity and nature.
Axel Vervoordt Gallery is proud to present Bae Bien-U’s first solo exhibition in Hong Kong 分合 - PART:MEET in which he will show new works from the Sonamu - Pine Tree series.
From the very beginning of his career as a photographer, the forest in the mountains of Gyeongju, where pine trees surround the royal tombs, has been Bae’s preferred subject. Pines carry a long tradition in Korean culture. The energy of life is believed to pass through them. They mediate between heaven and earth and are important in many rituals of life and death.
The ritual of coming and going, of man’s short “encounter” with and in life and nature, is expressed in the exhibition’s Chinese title 分合 (fēnhé). This phrase refers to a paradoxical meeting. It contains the signs for both separation (分fēn) and incorporation (合hé). An encounter always implies a parting; a presence holds an absence and the visible, what is unseen. (Human) nature is never fixed but always unstable and transforming between counterparts. Beautifully opposing forces are its drive. For Bae the pine tree forest is a metaphor for human society in which different forces continuously interact.
When Bae Bien-U presses the shutter, he captures this invisible process in a split second and condenses it into a photograph. The pine trees are caught in their true “here- and-now-ness”, they do not have a past nor a future but are most of all present in a space that transcends the physicality of real life's paradoxical forces.
Baes’s ideas are enforced by the proportions of the photographs’ frame. For the first time since the 1980s, he decided to again use 6 by 6 negatives with a 1:1 ratio, instead of the panoramic 6 by 12 negatives. His choice for the 1:1 ratio is inspired by the deeper meaning it holds. 1:1 symbolizes a mystic experience, an opening in life to holiness. In many different cultures this ratio is symbol of (en)light(ment).
Bae’s photographs extend beyond their frames. They are openings. The viewer is invited to step into them, wander through the forest and encounter the equilibrium of nature in boundless transformation.
“According to the German philosopher Immanuel Kant, there is no objective property of a thing that makes it beautiful. However, all living creatures come into existence with perfect balance. Such balance creates proportion and may reach its peak as the golden ratio, fractal or Fibonacci sequence. Yet, as prototypes of beauty, such as animal, plant and nature, grow and develop, this balance could be broken. When the beauty of proportion is maintained amidst such destruction, one can call it an exceptional beauty. Like the beauty of trees, its’ balance transforms as it grows, due to the light, wind, and environment. However, only the body of the tree changes while the original balance of the leaf remains intact. Such balance exists hidden in the roots of the tree and spirit of men.”
BAE BIEN, U
Bae was born in Yeosu, Jeollanam-do in 1950, and graduated from Hongik University's College of Arts in 1974 and the graduate school of the same university in 1976. Renowned as a professional photographer with themes especially concentrated on pine trees, he has become a representative photographer with the reputation of capturing the characteristic sentiments of Korea including the pine trees, oceans and mountains with his camera rather than a brush.
Former South Korean president Lee Myung-bak gave a collection of Bae's pine tree photographs to U.S. president Barack Obama during a summit held in Washington. He served as professor of the Department of Photography at the Seoul Institute of the Arts.
We have sent you an email containing a link to reset your password. Simply click the link and enter your new password to complete this process.
Scan the QR Code via WeChat to follow Ocula's official account.