El Anatsui has carved a name for himself with his monumental hanging sculptures made with recycled metal scraps. As imposing and spectacular as they are fragile and portable, these works have been exhibited in some of the world's most prestigious institutions, most recently at Munich's Haus der Kunst and in the Venice Biennale's first Ghana...

Straatman first appeared in front of the Belgian pavilion at the Venice Biennale in 1988. Ever since, he has been popping up in various places from Antwerp to Tokyo, both announced and by surprise. Leading up to the exhibition at Axel Vervoordt Gallery in September 2017, Straatman turned up in several locations around Antwerp throughout the month...

© Hugo Frey. Courtesy the artist and Axel Vervoordt Gallery.

Born in 1957 in Daegu, South Korea, Kimsooja started attracting the attention of the international art community when she began constructing Korean bottaris in her art – a gesture and motif that continues to appear in her work till today. Her art centers on the work and labor of women –beginning with her early sewn works, to her films and video...

Straatman first appeared in front of the Belgian pavilion at the Venice Biennale in 1988. Ever since, he has been popping up in various places from Antwerp to Tokyo, both announced and by surprise. Leading up to the exhibition at Axel Vervoordt Gallery in September 2017, Straatman turned up in several locations around Antwerp throughout the month...

In this video, Ghana's best-known contemporary artist, El Anatsui, speaks about the role that language and symbols play in his work. He describes how the abstract nature of West African "adinkra" symbols and the flexibility of meaning in the words of his native language of Ewe resonate with the concept of non-fixity and indeterminateness...

A panel talk at the Dallas Museum of Art with Ming Tiampo, Axel Vervoordt and Paul McCarthy ©DMA 2015.

As performed during the opening on May 14 th 2015 at the Axel Vervoordt Gallery Hong Kong.