Chris Huen Sin Kan's paintings accumulate everyday moments into records of the physical world, a collection of which are now on view in Simon Lee Gallery's online exhibition, Puzzled Daydreams .
'This year's Biennale of Sydney seems like a corrective,' writes Soo-Min Shim, 'prioritising autonomy in an international exhibition format that has all too often omitted or sidelined First Nations artists.'
Working with raw pigment and a tempera medium, Roeth’s spellbinding paintings have a dense matt surface that draws the viewer into the intensity of the colour alone, inviting long contemplation of the shifting picture plane. The presence and uncompromising quality of his work explores the phenomenology of colour itself, Roeth has been described as '…probably the best colour-painter in New York.' by American critic Michael Brennan.Read More
Roeth’s grid-works are reductive compositions that are made in an indecisive formula, as Roeth describes his practice as exploratory. There is a vibrant intensity in his grids, a visual experience, which through contrasts in light and colour forms a captivating final structure.
Text courtesy Bartha Contemporary.
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