Cat Auburn works across a range of media, from film to sculpture and installation, to explore broad social and historical issues.Read More
Her socially-engaged projects draw on site-specific narratives and histories, frequently employing anthropomorphism - the attribution of human motivation, characteristics or behaviour to animals - to explore notions of socialisation, power, freedom and constraint.
Her most recent project, a 30 minute film, Ask the Fellows who Cut the Hay, is a recreation of the widely loved 1821 painting The Hay Wain by John Constable. Another exhibition currently touring New Zealand, The Horses Stayed Behind, commemorates the thousands of horses that left New Zealand for World War I and never returned. The centrepiece is a five-metre wide tapestry made of 500 horse hair rosettes, woven in the style of the Victorian hair-wreathes.
In 2016 Auburn completed a Master of Fine Art (Distinction) at Northumbria University in the United Kingdom and she is currently living and working in the UK. She has exhibited regularly, both in New Zealand and internationally, since graduating in 2008 with a Post Graduate Diploma in Fine Arts (Distinction) from the Elam School of Fine Arts. In 2015 she represented New Zealand at the TRIO Sculpture Biennial in Rio de Janeiro, Brazil. She is the recipient of numerous scholarships and residencies including the Tyneside Cinemas artist residency in 2016, the Olivia Spencer Bower Foundation Art Award in 2010 with a year-long residency in Christchurch, and the Tylee Cottage Residency at the Sarjeant Art Gallery.
Text courtesy Bartley & Company Art.
The Horses Stayed Behind is an exhibition commemorating the thousands of horses that left New Zealand in World War I, of which only four returned. The centrepiece will be a tapestry, five metres by one metre, made of 500 rosettes, intricately woven in the style of the Victorian hair-wreath. Each of them hand-made by Auburn out of horsehair. Each...