Pierre Huyghe is a producer of spectacular and memorable enigmas, with works that function more like mirages than as objects. Abyssal Plain (2015–ongoing), his contribution to the 2015 Istanbul Biennial, curated by Carolyn Christov-Bakargiev, was installed on the seabed of the Marmara Sea, some 20 metres below the surface of the water and close to...
In the early decades of its existence, New York's Museum of Modern Art (MoMA), founded in 1929, transformed from a philanthropic project modestly housed in a few rooms of the Heckscher Building on the corner of Fifth Avenue and 57th Street, to an alleged operating node in the United States' cultural struggle during the cold war, and one of the...
Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...
Ben Brown Fine Arts is delighted to present Enoc Perez: The Cinematic Self, the gallery’s first exhibition with Puerto Rican-American artist Enoc Perez. This will be Perez’s first exhibition in the UK in over ten years and will feature new and recent artworks from his evocative series of interiors paintings.
Born in 1967 in San Juan, Puerto Rico, Perez moved to New York in the 1980s to start his studies at the prestigious Pratt Institute. Fascinated by the city and its quintessential artists, Perez developed a distinct artistic vocabulary using architecture and spaces as a lens through which to examine symbols of power, identity, and aesthetics, both national and personal. He became known for his paintings of iconic utopian architecture, including those of American embassies around the world, and post-war American landmarks, his most celebrated work to date.
The Cinematic Self marks a bold new direction for the artist. Moving away from exterior images of architecture, Perez takes a step inside, delving into a myriad of interiors inhabited by renowned figures—artists, collectors and eccentrics of the twentieth century. Painted with vibrant colours, the artworks explore private spaces and examine how these glimpses into their dwellings can function concomitantly as portraits and formalistic exercises in what he refers to as ‘brushless’ painting. The artist developed this distinctive technique in the late 1990s in response to the New York tradition of painter as printmaker, and the blurring of the space between them. Perez transfers oil paint to the canvas by means of pressing and rubbing multiple small impressions which are gradually built up one by one to form the whole image.
In this new series of works Perez focuses on the minutiae of these diverse personalities; from a tiger skin rug strewn in front of Andy Warhol screen-prints in Fred Hughes’ Factory office, to the Rolling Stones’ lips cut-out displayed in the decadent mirrored interiors of Villa Nellcôte where they recorded Exile on Main Street, to Le Corbusier’s drawing tools laid out on his drafting table in front of one of his own paintings. Conspicuously absent of the central figures, these spaces are strikingly expressive in their own right, revealing how individuality can be constructed through personal effects.
Further paintings capture pivotal moments such as Elvis Presley’s legendary Jungle Room at Graceland where the ailing rock star made his final recordings, while another work features David Bowie’s unmade bed following a night of drinking with Soviet soldiers as he crossed Siberia by train in 1973. Elsewhere the paintings act as a means through which Perez examines the great collectors of the last century, such as in the Roman palazzo of Gianni and Marella Agnelli and the Paris home of Jacques Doucet, their walls studded with artworks from their famously impressive collections.
A highlight of the exhibition will be the artist’s depiction of the late Francis Bacon’s London studio. Perez was drawn to the space not only as a fellow artist but also for Bacon’s connection to London itself, the city where he lived for the majority of his career. Perez’s painting offers an intimate window into the working space of this luminary of British art.
For the artist this series represents an important return to his formal origins; whilst in recent years he had begun to experiment with a paintbrush, here he returns to his idiosyncratic ‘brushless’ technique for which he received acclaim during his early career.
About the Artist
Enoc Perez (b.1967, San Juan, Puerto Rico) is a critically acclaimed multidisciplinary artist living and working in Brooklyn, New York. In 1986 the artist moved to New York, where he earned a Bachelor of Fine Arts from Pratt Institute and a Master of Fine Arts from Hunter College. Perez's artworks sit in the collections of major museums including The Metropolitan Museum of Art, New York; The Whitney Museum of American Art, New York; The British Museum, London; Yale University Art Gallery, New Haven; New York Public Library; San Francisco Museum of Modern Art; Corcoran Gallery of Art, Washington DC; and The Museum of Contemporary Art, San Juan, Puerto Rico. Perez has been the subject of recent solo exhibitions at Dallas Contemporary, Dallas in 2018; UTA Artist Space, Los Angeles in 2017; and at the Museum of Contemporary Art North Miami, Miami in 2007. He has featured in important group exhibitions internationally including Dimensions Variables at Pavillon de l'Arsenal, Paris in 2015; City Self at the Museum Of Contemporary Art Chicago, in 2013; Caribbean: Crossroads of the World, The Studio Museum in Harlem, Queens Museum of Art, and El Museo del Barrio, New York; The Undiscovered Country at the Hammer Museum, Los Angeles in 2004; and Dear Painter, paint me… at Centre Pompidou, Paris in 2002. In 2020 he will be the subject of a major retrospective at Museo de Arte de Ponce, Puerto Rico.
In The Cinematic Self, Perez gives a nod to the figures who have influenced him throughout his life by opening a gateway into their lives, and homes, with his paintings. The exhibition humanises these larger-than-life figures, allowing the viewer to leisurely examine Andy Warhol’s medicine cabinet, or rifle through the books on Mick Jagger’s...
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