Yanagi’s rusty cast-iron 1:50 scale model of the Imperial Japanese Navy ship Akitsushima, a seaplane tender sunk in 1945, looks properly absurd and forlorn on the floor in the middle of the room. Parts of the model are scattered around the hull 'ambivalently in a process of either construction or deconstruction,' the Blum & Poe website says....

In advance of Henry Taylor's exhibition at Blum and Poe, the artist met Laura Hoptman, Executive Director of the Drawing Center, at the Drawing Center on Wooster Street in Soho for a conversation. What follows is a condensed version of that discussion, which ranges from Taylor's childhood, to the importance of drawing in his practice, and how he...

A toxic beauty emanates from — or maybe infects — six impressive new landscape photographs and three abstractions by Florian Maier-Aichen. It's the sixth solo show at Blum & Poe by the German-born, L.A.-based artist, and it represents a milieu in which he has worked for more than a dozen years.

Art Basel 2019 opens to the public on Thursday, June 13, with two preview days, on June 11 and 12. Some 290 galleries from 34 countries will show work at the Swiss fair, which runs through June 16.

There are hundreds of exhibitions in Venice during the Biennale. Alongside the main exhibition in the Giardini and Arsenale, there are 90 national presentations, many in nearby pavilions in the Giardini and in spaces around the Arsenale, but also dotted throughout Venice. Then there are the official collateral exhibitions in museums and galleries...

February, 1888. A small, cheerless room in the south of France. Vincent Van Gogh has come here to escape the grey Paris light, but this doesn't seem much better. He flings down his heavy pack, takes a seat on a lone wooden chair, unlaces his boots. Yes, you think, have a nap; this is all exhausting. But no – he arranges the beaten-up old shoes on...

PIA CAMIL'S STUDIO in Mexico City is an expansive, windowless room on the ground floor of an old building tucked away between a wide arterial road and the city's Parque de Chapultepec. She keeps the basement-like space orderly, and during the workday it is almost impossible to imagine it moonlighting as El Cisne (The Swan), a lively cabaret Camil...

Jonas Wood's East Hollywood studio — a refurbished industrial space hidden behind a razor-wired metal gate — is populated with the familiar objects that appear in his paintings. There are colonies of potted plants and basketball paraphernalia that ranges in size from plush couch cushions to man-sized orbs. Every room is filled with...

Curated by Mika Yoshitake, Parergon: Japanese Art of the 1980s and 1990s forms a corollary to her 2012 Blum & Poe exhibition Requiem for the Sun: The Art of Mono-ha, which presented a much-needed introduction to a group of postwar Japanese artists whose works have now been aligned with more recognizable Western European movements such as...

How much of Darren Bader's art do we need in the world? The world, after all, is already full of the kinds of objects that Bader brings into his exhibitions: art, words, images, personalities, ideas. Its very fullness is arguably the condition that Bader's work both critiques and thrives on. 'The world is full of objects, more or less interesting;...

When Donald Judd asked Yun Hyong-Keun what art is, the latter responded that art is 'artless and bland.' To some viewers of Yun's paintings—which have been associated with Korean Dansaekhwa—these words may serve as curious descriptors of the late artist's striking, monochromatic canvases.

How much of Darren Bader’s art do we need in the world? The world, after all, is already full of the kinds of objects that Bader brings into his exhibitions: art, words, images, personalities, ideas. Its very fullness is arguably the condition that Bader’s work both critiques and thrives on.

I'm sitting in the artist Henry Taylor's driveway in early summer, watching him rough out a portrait in his home garage-slash-studio. He works quickly, applying pink to large areas of the canvas, then counter­balancing with generous slathers of a lush green, pausing only occasionally to search for the next song on his iPhone.

Yoshitomo Nara loves mountains—a lingering fixation stemming from his birthplace in mountainous northern Japan. But it is at his own gallery space, N's YARD in Nasushiobara, where I meet with the artist after an hour-long train ride from Tokyo back in April. Built with locally sourced materials, N's YARD is cradled by beautiful trees that...

Ciudad de México ( N22 /Redacción)–Realizada in situ, Telón de boca, es una pieza de la artista Pia Camil, que se construye con playeras de bandas musicales. Esto como una forma de invocar las historias que guarda el Tianguis Cultural del Chopo. Camil buscaba una obra que, como dijo en una entrevista publicada por el propio museo, “tuviera algo de...

Pia Camil’s first solo exhibition in the UK might be called Split Wall but it is actually entirely walled in. The large windows at Nottingham Contemporary that usually offer passers-by a sneak preview have been blocked up, and even the glass doors at the front of the space remain covered. The only way to experience the Mexican artist’s work is...

Imagine living not only in the midst of pristine natural surroundings but actually feeling truly embraced by them, breathing in warm woody aromas as an abundance of curvaceous redwood forms hug you inward. Such is the state of being inside the intimate, hand-built abode of the late prolific American sculptor J. B. Blunk, who began creating it in...

If anyone were still in any doubt as to the continuing power of print media, they need look no further than the Jay-Z interview carried in the New York Times at the end of last year.

At the age of 80, the sculptor Wendell Dayton is having his first major show, a six-decade survey of his work at the Los Angeles gallery Blum & Poe. Until now, Dayton had mainly exhibited his abstract creations in a sculpture park of his own making, in the unassuming corner of the San Fernando Valley where he lives and works.

The famous artist and award-winning filmmaker Julian Schnabel really does not like to give interviews. It’s not that he’s shy or retiring – quite the opposite, in fact – but he’s been laying bare his feelings through his vast, expressive paintings for four decades and he doesn’t see why he needs to keep on explaining himself.

LOS ANGELES — In Robert Colescott's Portrait of the Artist at 85, the late painter, who passed away at 83 in 2009, depicts himself seated in front of a tall, white canvas, applying messy strokes of pinkish cream. A buxom blonde wearing nothing but red heels poses in front of a window. The brushstrokes on the canvas seem distracted and...

The world has changed — two or three times — since Robert Colescott (1925-2009) made the 20 paintings and 21 drawings in his exhibition at Blum & Poe. But some things haven’t changed, and they are the subjects of his rambunctious pictures. Colescott depicts ordinary folks doing ordinary things in a nation torn asunder by race, class and sex....

LOS ANGELES — 'Thinking bodies don't work. Working bodies don't think,' said Toronto-based artist Hugh Scott-Douglas during a walkthrough of his current solo exhibition, ฿o₫៛€$, at Blum & Poe. ฿o₫៛€$ features new and old work, including inkjet prints on canvas that consider the language of global maritime trading routes, sculptural...

For true mystics, there is no division between the real and the spiritual. The symbolic folds into our lives, shaping the world and us in it. The cool kiss of rain can be a curse or a blessing from the gods. Stumbling in the street en route to meet your lover might signal deeper misgivings and potential pratfalls of your coupling. Rather than a...