An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...
Zoe Butt is the artistic director of The Factory Contemporary Arts Centre in Ho Chi Minh City, the first purpose-built space for contemporary art in Vietnam. Founded in March 2016, the Centre was designed by HTAP Architects in an old steel warehouse, with cargo shipping containers added to its structure. Initiated as a social enterprise...
即将于2019年7月13开幕的第二届 Condo Shanghai，联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市，如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城，为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥，《景观/对象WA》（2016）。橡木上固化油墨打印，左: 55.88 × 147.32 cm，中: 121.92 × 152.4 cm，右: 55.88 × 147.32 cm，图片提供：马凌画廊，上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...
Exhibition view: Darren Bader, character limit, Blum & Poe, Los Angeles (3 November 2018–12 January 2019). © Darren Bader. Courtesy the artist and Blum & Poe, Los Angeles/New York/ Tokyo. Photo: Heather Rasmussen.
How much of Darren Bader's art do we need in the world? The world, after all, is already full of the kinds of objects that Bader brings into his exhibitions: art, words, images, personalities, ideas. Its very fullness is arguably the condition that Bader's work both critiques and thrives on. 'The world is full of objects, more or less interesting; I do not wish to add any more,' Douglas Huebler famously wrote in 1970.
Darren Bader (Bridgeport, CT, 1978) lives and works in New York.
Solo shows of his work held in institutions include (@mined_oud) Madre, Naples, (2017–2018); Meaning and Difference, The Power Station, Dallas (2017); Reading Writing Arithmetic, Radio Athènes-Institute for the advancement of contemporary visual culture, Athens (2015); Where Is a Bicycle’s Vagina (and Other Inquiries) or Around the Samovar, 1857, Oslo (2012); Images, MoMA-PS1, New York (2012).
Awarded the Calder Prize in 2013, Bader has taken part in numerous group exhibitions and biennials including the following: 13éme Biennale de Lyon. La vie moderne, Lyon (2015); Under the Clouds: From Paranoia to the Digital Sublime, Serralves Museum of Contemporary Art, Porto (2015); The Whitney Biennial, The Whitney Museum of Contemporary Art, New York (2014); Antigrazioso, Palais de Tokyo, Parigi (2013); Something About a Tree, FLAG Foundation, New York (2013); Empire State, Palazzo delle Esposizioni, Rome (2013); Oh, you mean cellophane and all that crap, The Calder Foundation, New York (2012); Greater New York, MoMA-PS1, New York (2010); To Illustrate and Multiply: An Open Book, Museum of Contemporary Art, Los Angeles (2008).
Blum & Poe is pleased to present character limit, an exhibition by New York-based artist Darren Bader. This is the artist's second solo show with the gallery.
Darren Bader (b. 1978, Bridgeport, CT) lives and works in New York and on the road. Institutional solo exhibitions include (@minedoud), Madre Museum, Naples, Italy (2017–2018); Meaning and Difference, The Power Station, Dallas, TX (2017); chess: relatives, High Line Art, New York, NY (2017); light (and) regret, Kölnischer Kunstverein, Cologne, Germany (2015); and Images, MoMA PS1, Queens, NY (2012). Awarded the Calder Prize in 2013, Bader has taken part in numerous group exhibitions and biennials including Stories of Almost Everyone, Hammer Museum, Los Angeles, CA (2018); .com/.cn, K11 Art Foundation Pop-up Space, Hong Kong, China, traveled to chi K11 Art Museum, K11 Art Mall, Shanghai, China (2017); One, No One and One Hundred Thousand, Kunsthalle Wien, Vienna, Austria (2016); 13th Biennale de Lyon: La vie moderne, Lyon, France (2015); Under the Clouds: From Paranoia to the Digital Sublime, Serralves Museum of Contemporary Art, Porto, Portugal (2015); The Whitney Biennial, Whitney Museum of American Art, New York, NY (2014); Liberi Tutti, Fondazione Trussardi, Milan, Italy (2013); Antigrazioso, Palais de Tokyo, Paris, France (2013); D'Après Giorgio, Casa-Museo di Giorgio de Chirico, Rome, Italy (2012); Greater New York, MoMA PS1, Queens, NY (2010); and To Illustrate and Multiply: An Open Book, Museum of Contemporary Art, Los Angeles, CA (2008).
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