STPI's Emi Eu reflects on S.E.A. Focus, an STPI project platforming artists and galleries from Southeast Asia, in the wake of Art Stage's decline in 2019 and ahead of the launch of Singapore's new art fair, Art SG, in October 2020.
With India Art Fair set to open amid nationwide protests, Kanika Anand introduces shows in New Delhi, Mumbai, and Kolkata that express shifting socio-political identities, modes of resistance, and explorations of place-making.
Images from abroad , Lada Nakonechna's solo exhibition at Galerie EIGEN + ART in Berlin, considers the barriers that exist between depictions of conflict and their viewers.
In 1980, Ryan Weideman cruised into New York City to become a street photographer. Having graduated with an MFA from the California College of Arts & Crafts, Weideman already had a style greatly influenced by the other photographers of the period including Lee Friedlander and Mark Cohen. Yet, after a month in New York City, Weideman’s focus turned to more immediate goals–earning money to pay his rent. Soon after renting a tenement on West 43rd Street (an apartment in which he still lives), a chance encounter with a neighbour who drove a taxi led Weideman to his newfound profession.Read More
Ryan Weideman’s work is in the collections of many prestigious institutions including the Brooklyn Museum, the Oakland Museum and the Art Institute of Chicago. Weideman’s awards include Guggenheim Fellowship Grant (1992–1993), a New York Foundation for the Arts Fellowship (1986-1987), and a NEA Fellowship Grant.
Text courtesy Bruce Silverstein.
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