Bruce Silverstein In Press Archive

[Michael Wolf][0]'s solo exhibition here—the first since his death this past April—is a sampling from this prolific photographer's oeuvre. Wolf, who was born in Germany but spent much of his life in

The artist Alfred Leslie is 90, but he acts decades younger. A recent conversation in his East Village studio had to wait while he finished fiddling with an image on his computer for a new project.

Michael Wolf (1954-2019) was a chronicler of life in cities. Across a career of over 40 years, the photographer captured architecture from Paris to Hong Kong, recording the realities of metropolitan l

In Production: Art and the Studio System, Yuz Museum, 7 November – 1 March Every week is art week somewhere, but not every week is art week in Shanghai. So you'll be wanting to be there during

Susan Laxton's book Surrealism at Play passionately traces how a particular art movement envisioned and articulated its own transformative potential. As Laxton illustrates, the Surrealists agitated fo

The line between art and jewellery has become increasingly blurred since the 20th century, when modernist artists like Meret Oppenheim, Salvador Dalí, Max Ernst and Man Ray began exploring the possibi

Laura Weir Clarke and Fred Clarke moved from their native Texas to Los Angeles in the mid-1960s, intoxicated by West Coast culture and in search of fine art. They wandered the city, knocking on studio

L.A. master Ed Ruscha boasts Hollywood collectors including Leonardo DiCaprio, Owen Wilson and Jay-Z, but few can lay claim to as many of his works as architect Fred Clarke, partner of the late Cesar

After moving on from a successful career in photojournalism in 2003 to pursue his personal work, the photographer Michael Wolf, who has died unexpectedly aged 64, devoted himself to exploring the comp

Moving from American suburbia to the brooding landscapes of northern Europe, Todd Hido sees a world facing an uncertain climatic future with 'the darkness that I see coming' To look through Todd Hido

'I see myself as an anthropologist,' Michael Wolf tells me as he guides me around his show, Informal Arrangements (27 November 2015–9 January 2016), at Flowers Gallery in London's East End. The den

One afternoon last spring, I rode shotgun with the artist Ed Ruscha as he guided his silver-gray Tesla along the streets of Culver City, California, where he works out of a 9,000-square-foot former pr

In the autumn of 1940, Man Ray met a travelling tie salesman at a party in New York. The American artist had arrived back in the US earlier that summer, having spent nearly two decades in Paris. The s

Celebrated for making the ordinary look extraordinary — whether a pepper, a seashell or a sand dune — the California-based photographer created some of the most iconic images of the 20th century. 1

For his first solo exhibition in a public institution in the UK, Elger Esser (b1967) presented a new body of photographic pieces, entitled Morgenland (Morning land), at Parasol Unit, London. The wor

Like the Baltimore Museum of Art's books, Louise B. Wheatley's textiles and Pendelton's mixed-media ventures pack a punch (actually, hers is more of a lingering touch). With her, you don't see it comi

With moments that are painterly, minimalist, prosaic and poetic, this exhibition captures more than the vision of a generation of artists—it’s the moment photography became art.

The piece is Aitken's contribution to Desert X, the first biennial for desert art.

Curator Stephen Coppel wanted to create a potted history of modern American politics, as seen through the country’s artwork.

'The project’s inaugural programming will be announced on March. It will spotlight the rise of right-wing populism in the US, Europe, and elsewhere.'

Throughout this year, ambitious projects will be unveiled all over America — from an artistic jungle gym in Miami to a pirate ship docking in Northern California — and they don't cost anything to see.

These legendary artists were known almost as much for their raucous, hard-partying ways as for their exploration of minimalism, abstraction and Pop art.

'The street is always interesting because any world of images I construct is promptly dismissed once I go outside.'

The art donated from the Ruschas’ private collection includes not just pieces by Ruscha, but also from Joe Goode, George Herms, and Jerry McMillan.