即将于2019年7月13开幕的第二届 Condo Shanghai，联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市，如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城，为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥，《景观/对象WA》（2016）。橡木上固化油墨打印，左: 55.88 × 147.32 cm，中: 121.92 × 152.4 cm，右: 55.88 × 147.32 cm，图片提供：马凌画廊，上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...
There is something irrepressibly compelling about the lewd animated videos of Wong Ping. Is it their flat surfaces rendered in popping colours? Or their dark narratives that resonate with the deepest recesses of the human psyche? They have been included in an impressive repertoire of group exhibitions in recent years, including One Hand Clapping at...
Get Up Stand Up Now: Generations of Black Creative Pioneers at Somerset House in London (12 June–15 September 2019) surveys more than half a century of black creativity in Britain and beyond across the fields of art, film, photography, music, design, fashion, and literature.Curated by Zak Ové, works by approximately 100 intergenerational black...
Cheim & Read is pleased to present All over the moon curated by Jack Pierson, an exhibition showcasing the work of three abstract painters: Laurel Sparks, Lily Stockman, and Richard Tinkler. The show opens on Thursday, July 12, and runs through August 30.
The paintings of Sparks, Stockman, and Tinkler offer a fresh, earthy take on geometric and pattern painting, in which clear, elemental, and at times idiosyncratic forms emerge from a dialogue between intuition and rigor. Each artist will display his or her work in a separate gallery space, offering viewers a detailed experience of its scope and vitality.
Laurel Sparks uses mediums as diverse as acrylic, gouache, papier-mâché, ash, woven canvas, gold leaf, glitter, bells, rocks, beads, and crayon in a single painting. Her compositions are dominated by fractured patterns executed with an off-handed spontaneity, in which her forcefully tactile materials, alternately gritty and luminous, speak to an interest in glyphs and talismans. Her work has been featured in solo shows at the Kate Werble Gallery in New York, and in group exhibitions at the Leslie-Lohman Museum of Gay and Lesbian Art, New York; the Muriel Berman Museum of Art, Ursinus College, Collegeville, Pennsylvania; the Museum of Fine Arts, Boston; the DeCordova Museum, Lincoln, Massachusetts; D'Amelio Terras, New York, and elsewhere.
Lily Stockman studied painting and botany at Harvard University; completed an apprenticeship in Buddhist thanga painting in Ulaanbaatar, Mongolia; and studied pigment and Mughal miniature painting in Jaipur, Rajasthan, India. Her works are comprised of simple forms–U-shapes, inverted L's, lozenges, circles–floating within a symmetrical, contained space, and painted in sometimes muted, sometimes hot neon colour. And yet their simplicity is deceptive: close viewing reveals that solid bands of colour are composed of painterly brushstrokes over sensually pigmented fields. Stockman's paintings have been shown at Charles Moffett Gallery and Joe Sheftel Gallery in New York, and at Regen Projects, Luis De Jesus, and Gavlak in Los Angeles.
Richard Tinkler's intricately woven, boldly symmetrical abstractions are painted in a single day, wet into wet. His richly coloured patterns pulse with long, loose brushstrokes that push the boundaries of freedom within constraint. Despite the apparent symmetry of his compositions, nothing in the work is repeated: shapes are reiterated but never the same size; each brushstroke varies from the next; and colours attain unexpected tints from the wet paint underneath. Tinkler's work has been shown in solo exhibitions at 56 Henry, New York, and Albert Merola Gallery, Provincetown, Massachusetts, and in group shows at Anton Kern, New York; Regen Projects, Los Angeles; University of Nevada, Reno; Thaddaeus Ropac, Salzburg and Paris; and Maramotti Collection, Reggio Emilia, Italy.
About the curator: Jack Pierson is an artist working across a number of mediums, including sculpture, photography, video, installations, drawings, and artist's books–works that are moored by melancholy and introspection, yet buoyed by a celebratory aura of seduction and glamour. Solo exhibitions of his work have recently been held at the Aspen Art Museum and at CAC Malaga, the Irish Museum of Modern Art, Dublin. His work is in the collections of the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Solomon R. Guggenheim Museum, all in New York; the Museum of Contemporary Art, Los Angeles; and the San Francisco Museum of Modern Art, among other institutions worldwide. He lives and works in New York.
We have sent you an email containing a link to reset your password. Simply click the link and enter your new password to complete this process.
Scan the QR Code via WeChat to follow Ocula's official account.