即将于2019年7月13开幕的第二届 Condo Shanghai，联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市，如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城，为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥，《景观/对象WA》（2016）。橡木上固化油墨打印，左: 55.88 × 147.32 cm，中: 121.92 × 152.4 cm，右: 55.88 × 147.32 cm，图片提供：马凌画廊，上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...
There is something irrepressibly compelling about the lewd animated videos of Wong Ping. Is it their flat surfaces rendered in popping colours? Or their dark narratives that resonate with the deepest recesses of the human psyche? They have been included in an impressive repertoire of group exhibitions in recent years, including One Hand Clapping at...
Get Up Stand Up Now: Generations of Black Creative Pioneers at Somerset House in London (12 June–15 September 2019) surveys more than half a century of black creativity in Britain and beyond across the fields of art, film, photography, music, design, fashion, and literature.Curated by Zak Ové, works by approximately 100 intergenerational black...
David Zwirner and Fraenkel Gallery are pleased to participate in ADAA’s The Art Show 2019 with a joint presentation of works by Diane Arbus (1923–1971) and Alice Neel (1900–1984). This collaborative installation explores the unmistakable affinities between the two artists. Although they were simultaneously creating some of their most consequential work not far from each other, in New York City, there is no evidence that they ever met.
Neel and Arbus, both rogues in their own time, are now widely regarded as two of the foremost artists of the twentieth century. Neel chose her subjects largely from her milieu–family, friends, and other acquaintances–while Arbus more often sought out hers by exploring unfamiliar territories, many times building on chance encounters.
Neel’s paintings and Arbus’s photographs share a palpable intensity and complexity, and there is frequently an uncanny resonance between their portraits. The gaze and the gravity that each artist was able to conjure is magnified and even clarified by bringing them together in this presentation. The juxtaposition of the two artists’ work exposes an astonishing kinship that intensifies the idiosyncratic qualities of each.
The joint presentation by David Zwirner and Fraenkel Gallery at ADAA builds upon the September announcement of their co-representation of The Estate of Diane Arbus. The collaboration was inaugurated with the first complete exhibition of Arbus’s Untitled series (1969–1971) at David Zwirner’s 537 West 20th Street location in New York from November 2 through December 15, 2018.
Concurrent with ADAA, David Zwirner will present Alice Neel Freedom, on view from February 26 through April 13, 2019, at the gallery’s 537 West 20th Street space.
Fraenkel Gallery will celebrate its fortieth anniversary in 2019 with the exhibition and book Long short story. This year also marks the fourth decade of Fraenkel Gallery’s close association with The Estate of Diane Arbus.
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