With Monsoon Melody on view at WIELS, Brussels, her largest solo exhibition to date, Thao Nguyen Phan discusses her transition to film to explore colonial legacies and ecological destruction in Vietnam.
Los Angeles' art scene has a lot to offer during Frieze Los Angeles, with galleries, non-profits, and museums gearing up for the fair's second edition between 14 and 17 February 2020. In this Ocula Lowdown, Tessa Moldan lists a selection of the city's must-see shows.
Ack Ro' , Jaki Irvine's reflection on the fragility of life at Kerlin Gallery, Dublin, is an 'ambitious, holistic installation' staged like a 'wild disarray of interconnected yet fragmented pieces'.
Born in Chicago and educated at the Art Institute of Chicago, from which she received a BFA (1947) and an MFA (1950), Mitchell moved in 1949 to New York, where she was an active participant in the downtown arts scene. She began splitting her time between Paris and New York in 1955, before moving permanently to France in 1959. In 1968, Mitchell settled in Vétheuil, a small village northwest of Paris, while continuing to exhibit her work throughout the United States and Europe. It was in Vétheuil that she began regularly hosting artists at various stages of their careers, providing space and support to develop their art. When Mitchell passed away in 1992, her will specified that a portion of her estate should be used to establish a foundation to directly support visual artists.Read More
In 1951, Mitchell became one of the few female members of the exclusive Eighth Street Club, and, that spring, her work was included in The Ninth Street Exhibition, organized by charter members of The Club with the assistance of Leo Castelli, which helped to codify what became known as the New York School of primarily abstract painters. During her lifetime, Mitchell's work was exhibited in solo presentations at numerous influential galleries in the United States and Europe, including Stable Gallery, New York (1953, 1955, 1957, 1958, 1961, 1965); Dwan Gallery, Los Angeles (1961); Galerie Jean Fournier, Paris (1967, 1969, 1971, 1976, 1978, 1980, 1984, 1987, 1990, 1992); Martha Jackson Gallery, New York (1968, 1972); Xavier Fourcade, Inc., New York (1976, 1977, 1980, 1981, 1983, 1985, 1986); and Robert Miller Gallery, New York (1989, 1991).
Her first institutional solo exhibition, My Five Years in the Country, was held in 1972 at the Everson Museum of Art, Syracuse, New York. Subsequent museum presentations during Mitchell's lifetime were held at the Whitney Museum of American Art, New York (1974, 1992); Musée d'Art Moderne de la Ville de Paris (1982); Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York (traveled to Corcoran Gallery of Art, Washington, DC; San Francisco Museum of Modern Art; Albright-Knox Art Gallery, Buffalo, New York; and La Jolla Museum of Contemporary Art, California; 1988-1989).
In 2002, the Whitney Museum of American Art, New York, organized a posthumous retrospective of Mitchell's work, which traveled to Birmingham Museum of Art, Alabama; Modern Art Museum of Fort Worth, Texas; and Des Moines Art Center, Iowa. In 2010, the Joan Mitchell Foundation organized Joan Mitchell in New Orleans, which included a symposium on her life and work, and three concurrent exhibitions at Tulane University's Newcomb Art Gallery, New Orleans Museum of Art, and the Contemporary Arts Center of New Orleans. In 2015, Joan Mitchell Retrospective: Her Life and Paintings was presented at Kunsthaus Bregenz, Austria, and subsequently traveled to Museum Ludwig, Cologne.
Additional recent museum solo presentations include those at Kunsthalle Emden, Germany (2008; traveled to Palazzo Magnani, Reggio Emilia, Italy and Musée des Impressionnismes, Giverny, France, both 2009); and Inverleith House, Royal Botanic Garden, Edinburgh (2010).
Mitchell / Riopelle: Nothing in Moderation is currently on view at the Art Gallery of Ontario, Toronto, through May 6, 2018. A room of Mitchell's work is also included in The Long Run at The Museum of Modern Art, New York, through November 4, 2018. Mitchell will also be featured in Mary Gabriel's forthcoming book Ninth Street Women: Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler: Five Painters and the Movement That Changed Modern Art, slated for release on September 25, 2018 by Little, Brown and Company.
Mitchell's work can be found in prominent institutional collections worldwide, including Albright-Knox Art Gallery, Buffalo, New York; Anderson Collection at Stanford University, California; Art Institute of Chicago; Carnegie Museum of Art, Pittsburgh; Centre Georges Pompidou, Paris; Fondation Cartier pour l'art contemporain, Paris; Fondation Louis Vuitton, Paris; Harvard Art Museums, Cambridge, Massachusetts; Hirshhorn Museum and Sculpture Garden, Washington, DC; Leeum, Samsung Museum of Art, Seoul; The Metropolitan Museum of Art, New York; Museum of Fine Arts, Boston; The Museum of Modern Art, New York; National Gallery of Art, Washington, DC; National Museum of Women in the Arts, Washington, DC; Osaka City Museum of Modern Art, Japan; RISD Museum, Providence, Rhode Island; San Francisco Museum of Modern Art; Shizuoka Prefectural Museum of Art, Shizuoka, Japan; Smithsonian American Art Museum, Washington, DC; Solomon R. Guggenheim Museum, New York; Tate, London; Walker Art Center, Minneapolis; and the Whitney Museum of American Art, New York.
Text courtesy David Zwirner.
The career of Joan Mitchell, who once likened Clement Greenberg to a 'toilet seat,' ought to remind us of how tribal the art world continues to be. There are those who want to belong to clubs and acquire the proper affiliations, and there are others who don't or can't belong to anything of the sort, even the cliques that would gladly welcome them....
The American abstract expressionist painter Joan Mitchell rose to prominence during the second half of the 20 th century; she was known for her large-scale canvas works, an outpouring of exuberant brushstrokes and blazing colour. Mitchell was one of the rare women artists of her time to achieve the same level of acclaim as her male...
Abstraction is a foundational subject for MoMA. The institution was basically conceived on the premise that this is the mode to which all advanced art aspires. But the work in Making Space , dating from the end of World War II to the beginning of second-wave feminism, is not really representative of the museum historically. For one thing, of...
Two or three muted, but skillfully executed, pieces of portraiture slowly lead the viewer to paintings with the merest hint of figures, before dissolving entirely into realms of line, colour, light and rhythm. This is just the first room of the major Abstract Expressionism show at the Guggenheim Museum Bilbao, fresh from a groundbreaking run at...
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