Cinga Samson 's paintings lay bare the complex relationship between contemporary life, African traditions, globalisation, and representation. His strikingly sombre portraits contain similarities to those of contemporary painters such as Toyin Ojih Odutola, Lynette Yiadom-Boakye , Kehinde Wiley , Florine Démosthène, and Tunji...
Seismic Movements , the fifth Dhaka Art Summit, plotted movements, solidarities, and exchanges across the Global South with over 500 artists, scholars, curators, and thinkers.
Over the past decade, Jordan Wolfson has become known for his thought-provoking works in a wide range of media, including video, sculpture, installation, photography, and performance. He pulls intuitively from the world of advertising, the Internet, and the technology industries to produce ambitious and enigmatic narratives. However, instead of simply appropriating found material, the artist creates his own unique content, which frequently revolves around a series of invented, animated characters.Read More
Wolfson was born in 1980 in New York. In 2003, he received his B.F.A. in sculpture from the Rhode Island School of Design. In 2013, the artist joined David Zwirner. His first solo exhibition was presented at the gallery in New York in 2014. On view May 5 through June 25, 2016, David Zwirner in New York presented a solo show of the artist's new work.
The artist recently participated in 14 Rooms, which was curated by Klaus Biesenbach and Hans Ulrich Obrist and presented during Art Basel in June 2014. The exhibition was a collaboration between Fondation Beyeler, Art Basel, and Theater Basel.
In 2016, the Stedelijk Museum in Amsterdam hosted a two-part solo exhibition featuring Wolfson's works, Colored sculpture, 2016, and Female Figure, 2014.
In 2015, the Cleveland Museum of Art in Ohio held a solo show featuring two early videos by Wolfson. In 2014, a selection of Wolfson's video work was shown at the McLellan Galleries in Glasgow as part of the 6th Glasgow International. In 2013, Jordan Wolfson: Ecce Homo/le Poseur marked the most comprehensive survey of his work to date, organized by the Stedelijk Museum voor Actuele Kunst (S.M.A.K.) in Ghent. Also in 2013 was his first solo exhibition in the United Kingdom presented at the Chisenhale Gallery in London. Other institutions which have previously hosted solo shows include the Kunsthalle Wien, Vienna; REDCAT, Los Angeles, both 2012; Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 2011; CCA Wattis Institute for Contemporary Arts, San Francisco, 2009; Swiss Institute of Contemporary Art, New York, 2008; Galleria d’Arte Moderna e Contemporanea di Bergamo, Italy, 2007; and the Kunsthalle Zürich, 2004.
In 2009, he received the prestigious Cartier Award from the Frieze Foundation, which helps an artist from outside the United Kingdom realize a major project at Frieze Art Fair in London.
Work by Wolfson is held in public collections worldwide, including Fondazione Sandretto Re Rebaudengo, Turin; Galleria d’Arte Moderna e Contemporanea di Bergamo, Italy; Magasin 3 Stockholm Konsthall; Museum of Contemporary Art Chicago; Museum Ludwig, Cologne; Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Ghent; and the Whitney Museum of American Art, New York. He lives and works in New York and Los Angeles.
Text courtesy David Zwirner.
In an age in which artists are expected to take a stand on social and political issues—perhaps even more so than they're expected to make work that is aesthetically pleasing—Wolfson routinely makes headlines for assaulting his audiences with heavy, important themes, and then refusing to discuss them. 'I basically exist,' he explained to me. 'I...
With his eerie animatronic figures, the artist Jordan Wolfson is able to hold the viewer transfixed. And his new video work at Moderna Museet is having the same spellbinding effect.
We hear Riverboat song (2017-2018) before we see it. The first view of Jordan Wolfson's sixteen-channel video installation is of its back, a hulking mass of wires, monitors and media players arranged in an upright grid on purple carpet that covers the gallery floor. Suspense is built into the approach: one has to round the corner of this...
Eye contact and alienation–this combination allows Wolfson to open his audience up and download something uncomfortable inside them. The result is the feeling of watching a car crash, or rather, the feeling of realising that you are watching a car crash and that you might not care. Coloured sculpture returns a gallery into an arena of torture, one...
When the artist Jordan Wolfson and the playwright Jeremy O. Harris get together, sparks fly. Wolfson's art confronts intimacy, violence, and desire with sometimes shocking honesty. Likewise, O. Harris, whose buzzed-about and radical Slave Play comes to Broadway this fall, uses music and bodies to complicate themes of violence and sex—and...
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