The Allure of Matter: Material Art from China at Los Angeles County Museum of Art (LACMA) (2 June 2019–5 January 2020) is an inter-generational show of 21 Chinese artists working from the 1980s to the present, including Ai Weiwei, Cai Guo-Qiang, Lin Tianmiao, Song Dong, He Xiangyu, Yin Xiuzhen, and Ma Qiusha.Staged on Level 2 of LACMA's Renzo...
When the London-born artist Thomas J Price graduated with a Bachelor of Fine Arts from Chelsea College of Arts in 2004, the school's college art prize was by no means his most notable accomplishment as an emerging artist. In 2001, Price presented his much-talked-about work Licked, a daring performance, later profiled on the BBC 4 television...
To coincide with Art Basel 2019, which opens to the public from 13 to 16 June, galleries and institutions across the city are presenting a range of stellar exhibitions. From Rebecca Horn at Museum Tinguely to Geumhyung Jeong at Kunsthalle Basel, here is a selection of what to see.William Kentridge, Dead Remus (2014–2016). Charcoal on found ledger...
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Exhibit 320 is pleased to announce that Sumakshi Singh has been invited to show at the START Art Fair, London (15-18 September 2016). Two bodies of work that extend her 'In The Garden' series will be curated at the booth as well as the project room.
Sumakshi Singh: Project Title: In The Garden
The project is a curated homage to the experience of two particularly lush, illuminated, breathing, dying and resurrecting gardens which now outlive their creators. The story is of the garden as a portal into a dimension of magic and possibility. Viewers walk into an installation with large delicately constructed white plants made of lace and embroidery suspended from the ceiling along with multiple scrolls of translucent screens displaying a stop motion animation of a garden of light which grows and disappears among flickering fireflies and hummingbirds accompanied by Roger Subriana’s music.
View the video illustration here.
Sumakshi Singh: Booth Solo Title: Interstices: Traces in light, Air and Breath
The booth offered is 'of' the garden, instead of 'in' it.The space will be set up as a mock- natural history museum style exhibit, which displays botanical specimens created with thread. It references memory – a flattening out of experience- a cataloging, archiving and preserving of lace-like words of personal letters which levitate without a ground to attach themselves to, fragile woven-skeletons of pressed flowers, leaves and seeds, floating in glass vitrines, seemingly embroidered on air, fossil like imprints of embroideries on plaster – a repository of the subtle armatures and structures upon which experience plumps itself out but perhaps with spaciousness, air and breath.
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