Ocula Report 58th Venice Biennale: May You Live In Interesting Times 24 May 2019 : Mohammad Salemy for Ocula The 58th Venice Biennale, May You Live In Interesting Times (11 May–24 November 2019), certainly benefitted from low expectations, given the lacklustre curatorial of the previous edition, when different segments of the show were conceptually framed with titles like 'Pavilion of Joys and Fears' and 'Pavilion of Colours'. Add to this the...
Ocula Conversation Zheng Bo Hong Kong-based artist Zheng Bo's social, ecological, and community-engaged art practice has, in recent years, focused on moving beyond a human-centred perspective to an all-inclusive, multi-species approach. He takes up marginalised plants and communities of people as subjects in his large-scale interventions, which reintroduce wildness into...
Ocula Report Auckland Art Fair 2019: Conversations Extended 24 May 2019 : Sherry Paik for Ocula The weather was clement for the annual Auckland Art Fair (2–5 May 2019), which was again at The Cloud on Queens Wharf. This year's edition was a get-together of 41 galleries, mostly from around Auckland and across New Zealand, with 5 spaces hailing from Sydney and the rest from Cook Islands (Bergman Gallery), Hobart (Michael Bugelli Gallery),...
Pino Musi, Pantheon. Rome, 2010 - Esatone inkjet print on Hahnemuhle Baryta Paper mounted on Dibond and framed, 83 x 111 x 4 cm | 6 numbered and signed copies.
Pino MusiCapitolium. Dioscuri Statue, Rome 2010, 2010 Esatone inkjet print on Hahnemuhle Baryta paper mounted on dibond
Aurelio AmendolaDavid, Michelangelo. Accademia Gallery, Florence, 2001, 2001 Inkjet Epson print on Canson Baryta paper
Pino MusiImperial Fora. Temple of Saturn and Temple of Vespasian and Titus. Rome, 2010, 2010 Esatone inkjet print on Hahnemuhle Baryta paper mounted on dibond
Aurelio AmendolaThe Pieta, Michelangelo. Saint Peter's Basilica, Rome 1998, 1998 Inkjet Epson print on Canson Baryta paper
