Since 2012, Kristoffer Gansing has worked as the artistic director of transmediale—a festival at the forefront of digital media and culture that analyses the current moment through self-reflection and anticipation of rapidly oscillating futures. Explorations into moving image, online culture, and the socio-political landscape of digital...
As Taipei Dangdai returns for its second edition between 17 and 19 January 2020 at the Nangang Exhibition Center, a selection of exhibitions across the city confirm Taipei as one of the region's most exciting art hubs. Yahon Chang: Cursive OUR Museum, National Taiwan University of Arts (NTUA), No. 59, Section 1, Daguan Road, Banqiao...
Lada Nakonechna's solo exhibition, Images from abroad at Galerie EIGEN + ART (9 January–20 February 2020) ostensibly takes place on an end wall of the gallery. The wall bears markings hand-drawn in graphite that evoke shadows once cast by pictures, since removed, their fixtures also left in situ. Serving as a framework of variable...
William Forsythe is a radical innovator in choreography and dance. For more than four decades, he has redefined the syntax and praxis of his field, exerting unparalleled influence on subsequent generations of artists. Over the course of his career, he has developed an extensive repertoire of groundbreaking ballet choreographies and experimental, non-proscenium-based dance-theatre works, as well as an open-access digital platform for dance analysis, notation, and improvisation. His works are featured in the repertoire of many of the world's major ballet companies, including Paris Opera Ballet; Mariinsky Ballet, Saint Petersburg; Semperoper Ballet, Dresden, Germany; Royal Ballet, London; New York City Ballet; San Francisco Ballet; Boston Ballet; and the National Ballet of Canada. Parallel with the evolution of his choreographic performances, Forsythe has worked for more than twenty years on installations, film works, and discrete, interactive sculptures, which he calls 'choreographic objects.'Read More
Forsythe was born in 1949 in New York. He was resident choreographer of the Stuttgart Ballet, Germany, from 1976 to 1984, and director of Ballet Frankfurt, Germany, from 1984 to 2004. He established and directed the Forsythe Company from 2005 to 2015, and was most recently artistic advisor to the Paris Opera. He was named an honorary fellow of the Laban Centre for Movement and Dance in London and holds an honorary doctorate from the Juilliard School in New York. Solo museum exhibitions include Proliferation and Perfect Disorder, Pinakothek der Moderne, Munich (2006); Additive Inverse, 21_21 Design Sight, Tokyo (2007);_ Focus on Forsythe_, Sadler's Wells and Tate Modern, London (2009);_ Transfigurations_, Wexner Center for the Arts, Columbus, Ohio (2009);_ Nowhere and Everywhere_, Museum Folkwang, Essen, Germany (2013);_ The Fact of Matter_, Museum für Moderne Kunst, Frankfurt, Germany (2015); and Wanås Konst, Knislinge, Sweden (2017). Beginning in 1989 with a special commission by architect Daniel Libeskind,_ The Books of Groningen_, Forsythe has produced numerous installations, among them_ Tight Roaring Circle_, Artangel, London (1997);_ Nowhere and Everywhere at the Same Time_, Creative Time, New York (2005); and_ Black Flags_, Staatliche Kunstsammlungen Dresden, Germany (2014-2015). He has participated in the Whitney Biennial (1997); Biennale di Venezia, Venice (2005, 2009, 2012, 2014); and Sydney Biennale (2016).
Forsythe has received several awards, including the title of Commander of the French Order of Arts and Letters (1999); Hessische Kulturpreis/Hessian Culture Prize (1995); German Distinguished Service Cross (1997); Wexner Prize (2002); Golden Lion of the Biennale di Venezia (2010); Samuel H. Scripps/American Dance Festival Award for Lifetime Achievement (2012); and Grand Prix de la SACD (2016).
Forsythe lives and works in Vermont.
Text courtesy Gagosian.
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