The 58th Venice Biennale, May You Live In Interesting Times (11 May–24 November 2019), certainly benefitted from low expectations, given the lacklustre curatorial of the previous edition, when different segments of the show were conceptually framed with titles like 'Pavilion of Joys and Fears' and 'Pavilion of Colours'. Add to this the...
Hong Kong-based artist Zheng Bo's social, ecological, and community-engaged art practice has, in recent years, focused on moving beyond a human-centred perspective to an all-inclusive, multi-species approach. He takes up marginalised plants and communities of people as subjects in his large-scale interventions, which reintroduce wildness into...
The weather was clement for the annual Auckland Art Fair (2–5 May 2019), which was again at The Cloud on Queens Wharf. This year's edition was a get-together of 41 galleries, mostly from around Auckland and across New Zealand, with 5 spaces hailing from Sydney and the rest from Cook Islands (Bergman Gallery), Hobart (Michael Bugelli Gallery),...
The notion of 'Britishness' has long been underpinned by a tangle of contradictions; evocative of both the aristocratic establishment, and its countercultural underside.
Damien Hirst is an internationally renowned contemporary artist. Hirst studied at Goldsmiths College, London and first gained recognition after curating the seminal show Freeze in 1988; the inaugural exhibition of the group of artists now known as the Young British Artists or YBAs. The exhibition established Hirst and his fellow students as among the most prominent artists of their generation.
Hirst works in a variety of media including installation, sculpture, painting, and drawing. Many of his works revolve around the central theme of death. Among his most notable works are The Physical Impossibility of Death in the Mind of Someone Living, a shark suspended in formaldehyde in a vitrine, and For the Love of God, a human skull completely encrusted in diamonds. Viewers of Hirst’s work are forced to confront their own fears surrounding mortality. His other enduring themes of religion, love, art, and science are also embodied in works equally challenging for which he has created his own motifs and vocabulary. Works range from cabinets of pills, spin paintings and works that use dead butterflies.
Damien Hirst was born in England where he continues to live and work. In 1995, he was the recipient of the Turner Prize. The first retrospective of Hirst’s work, The Agony and the Ecstasy, took place at the Museo Archeologico Nazionale, Naples, in 2004. A later retrospective at the Tate Modern in 2012 recognized Hirst’s contributions to British art over the last three decades.
Hirst is also recognised as a disruptive player in the art world. This has involved consigning his own works to an auction house for a one vendor sale, to selling his own editions and multiples through a retail outlet called Other Criteria. Recently Hirst opened his own art gallery in London.
Hirst has been the subject of solo exhibitions at Tate Modern, London (2012); Musei di Palazzo Vecchio, Florence (2010); Rijksmuseum, Amsterdam (2008); and Astrup Fearnley Museet fur Moderne Kunst, Oslo (2005). His work is held in major public and private collections around the world.
Akiko Miki, International Artistic Director of the Benesse Art Site in Naoshima, Japan, presents one of the most unconventional collector's stories in Japan, that of the artist Takashi Murakami, as well as the exhibition she curated in 2016 at the Yokohama Museum of Art on Murakami's collection.
Having gathered professional mourners from around the world to perform their laments in New York in 2016, artist and erstwhile Wallpaper* Guest Editor Taryn Simon is now bringing her groundbreaking artwork to London, opening this evening. We caught up with Simon in midst of rehearsals to talk about grief, performance and ephemerality.
A conversation between artist Glenn Brown, Bice Curiger, director of Fondation Vincent Van Gogh, and Ger Luijten, director of Fondation Custodia, hosted by Frieze and Fondation Custodia, Paris, on the occasion of Glenn Brown’s exhibition, Suffer Well, at Fondation Vincent Van Gogh, Arles, until 11 September 2016.
First published on Nowness: Ed Ruscha took Matthew Donaldson on a Los Angeles ride through memory lane, from the artist’s Culver City studio—that started life as one of Howard Hughes’ aircraft parts factories—to Silverlake and around Echo Park where the filmmaker lived as a child. “Almost more than...
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