Artist Taloi Havini and Ruth McDougall, curator of Pacific art at Queensland Art Gallery and Gallery of Modern Art, discuss Havini's first Australian solo exhibition, Reclamation .
'This year's Biennale of Sydney seems like a corrective,' writes Soo-Min Shim, 'prioritising autonomy in an international exhibition format that has all too often omitted or sidelined First Nations artists.'
In the United States, parallels have been drawn between the HIV/AIDS crisis and what is unfolding with Covid-19. These connections feed into P·P·O·W's online exhibition, Hell is a Place on Earth. Heaven is a Place in Your Head .
ANDREIA SANTANA (1991, Lisbon), lives and works between Lisbon and New York. Andreia helds a BA degree in Fine Arts in ESAD–School of Arts and Design of Caldas da Rainha and participated in the Independent Study Program in Visual Arts from Maumaus/Lumiar Cité in Lisbon.Read More
Since 2013, she has participated in several artistic residency programs, namely, Residency Unlimited in New York with a fellowship from Calouste Gulbenkian Foundation, Panal 360 in Buenos Aires, Mieszkanie Gepperta Residency Gallery at Wroclaw, Poland and Gasworks–Triangle Network at Hangar in Lisbon. She won the NOVO BANCO Revelação Prize in 2016 and the Sculpture Prize D. Fernando II.
Exhibiting her work regularly in Portugal and abroad, we highlight the exhibitions Leaves of Absence at Serralves Museum of Contemporary Art, Porto (2017); New Skin, Old Stone at Old School, cur. by Susana Pomba, Lisbon (2017); The Lobster Loop at MONITOR Gallery, Lisbon (2017) Pousio / Fallow (screening)Fuso_, at MAAT–Museum of Art, Architecture and Technology, Lisbon (2016), Tabula Rasa at Zaratan–Contemporary Art, Lisbon (2015) and No water on the other’s edge at Mieszkanie Gepperta Gallery, Wroclaw.
Text courtesy Galeria Filomena Soares.
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