There was a point where Lucia Koch was disturbed by the fact that most approaches to her works took them only as expressions of atmospheric changes on spaces and the alterations that light, modulated by filters, produced on human perception.

With just about three months to go, the 13th Havana Biennial is taking shape.Opening April 12 and running through May 12, Cuba's most important art event is expected to once again bring the international art world to Havana.Postponed due to damage from Hurricane Irma in 2017, the 13th edition expands the Biennial's reach in Havana and around the...

Hélio Oiticica (1937 – 1980) is a now integral part of the New York art scene, in large measure thanks to his 2017 retrospective at the Whitney, To Organize Delirium, which provided New Yorkers with an opportunity to experience him in full.

On 1 August, Brazilian artist Antonio Dias lost a long battle to cancer at the age of 74. Beginning in the 1960s, the artist produced a vast body of work that, in formal and conceptual terms, stood in stark contrast to the sunny output of the previous decade.

THE MORNING AFTER the opening of Antonio Dias's 2009 retrospective at Daros, Zurich, the news broke that a fire in Rio had consumed the vast majority of Hélio Oiticica's work.

Cuba's most widely known and critically acclaimed art collective has officially dissolved. Last week, Marco Castillo of Los Carpinteros issued a press release headlined 'Dissolution of the Collective LOS CARPINTEROS; New Horizons for Its Two Artists.'

Antonio Dias, a Brazilian artist whose early, hot-coloured paintings needled his country’s military dictatorship, and who later turned to subtly political conceptual art while in self-imposed European exile, died on Aug. 1 in Rio de Janeiro. He was 74.

Art Basel Switzerland which is always an important barometer in the art market has reported that some of the world's premier galleries experienced remarkable sales across all levels of the market.The fair in Basel closed on Sunday, June 17 2018, amid reports of significant sales to private collections and institutions by galleries across all...

Many of the art spaces in early '90s Berlin were located in vacant, abandoned, often ruined buildings that artists had taken over. Artists were running studio collectives and co-ops, outfitting surprising storefronts, and creating nightclubs and music programs. One very influential artist for me was Daniel Pflumm, who was organizing the...

The first exhibition of Graham's work at Galeria Nara Roesler features Pavilion (2016), a new work created specifically for the occasion, in addition to six untitled maquettes (2011-2016) and the video work Death by Chocolate: West Edmonton Shopping Mall (1986-2005). Parallel to the exhibition, the Museum of Image and Sound will screen two of the...

What a show! Each section and, indeed, pretty much each individual in this rich but rigorous celebration of black artists working in the US in the 1960s and 1970s, could spin off into a separate exhibition in its own right. The various responses to the black civil rights movement and what it meant to be a black artist in this turbulent time range...

Luiza Teixeira de Freitas and Claudia Segura, the curators behind proyectosLA, an upcoming fair-exhibition hybrid that will coincide with the Getty Foundation's Pacific Standard Time: LA/LA initiative, have announced the names of the 62 participating artists, including Marta Minujín, Julio Le Parc, Amalia Ulman, Carlos Cruz-Diez, Carmen Argote, and...

At first blush, the decision by the Swiss artist Not Vital to build his latest installation–a concrete chapel set high on a windswept slope–in Bataan was entirely appropriate. Not far from this spot, in April 1942, the victorious Japanese army ordered around 76,000 Filipino and American POW soldiers to begin what eventually became known as the...

There is no escaping life's big themes—the migration crisis, identity politics, populism, an uncertain future—at this year's Venice Biennale. This, the 57th edition, is curated by the Pompidou Centre's Christine Macel, under the title 'Long Live Art', and most countries have used their pavilions to remind us that the world needs our...

JAPANESE PAVILION, Takahiro Iwasaki: Turned Upside Down, It's a ForestTakahiro Iwasaki has created a multifaceted spatial experience of viewing the Itsukushima Shrine located in Hiroshima, where the artist was born, raised, and continues to work. Viewers can see the site from the perspective of a bird, insect, or fish, skewing the perception of...

If Xavier Veilhan's diverse artistic record is anything to go by, his offering at this year's Venice Biennale could cover pretty much anything—from film, to sculpture to architectural installation. As it happens, it reaches into an area few could have anticipated. Overseen by similarly pioneering curators Christian Marclay and Lionel Bovier,...

In 2007, Isaac Julien made Western Union: Small Boats, a video work set in Palermo, Sicily, which portrays the trauma of illegal immigration against the backdrop of a mythological Europe. Julien has said that Luchino Visconti's 1963 film The Leopard, which stars Burt Lancaster and chronicles the changes in Sicily during the unification with Italy...

The 57th Venice Biennale, International Art Exhibition, titled VIVA ARTE VIVA and curated by Christine Macel, is fast-approaching. The 2017 edition will be open to the public from 13 May to 26 November at the Giardini and Arsenale venues, following a sequence of preview days. Unfolding over the course of nine chapters or families of artists, VIVA...

ArtReview sent a questionnaire to artists and curators exhibiting in and curating the various national pavilions of the 2017 Venice Biennale, the responses to which will be published daily in the lead-up to the Venice Biennale opening (13 May – 26 November).Xavier Veilhan is representing France. The pavilion is in the Giardini.

Given the current political climate, we here at frieze have been reflecting on the role of art in responding to conflict. With this in mind, we invited a cross-section of artists, curators and writers to answer two deceptively simple questions: ‘How important is art as a form of protest?’ and ‘How effective is it as a conduit of change?’ Responses...

‘A photograph brings me so much joy, they’re beautiful objects,’ says Sir Elton John, discussing a remarkable collection of 25 works by some of the world’s greatest photographers, to be offered at Christie’s in New York on 6 April 2017. Proceeds from the sale of these works will benefit the Elton John AIDS Foundation (EJAF), an international...

On New Year’s Day, there were two ways you could celebrate 2017 on either end of New York City’s Q train: take it all the way to Coney Island and go for a frigid swim with the Polar Bear Club or journey to three new Manhattan stops nearly a century in the making. The Second Avenue Subway, following long delays, incredible cost, and years of...

I’ve heard Caetano Veloso’s 1968 song Tropicália hundreds of times. My parents, who are Brazilian, played it when I was growing up, and it embodies most everything I love in music: an eclectic mix of samba, bossa nova, and rock. Some might say it’s the song that launched the career of Veloso, who that same year would be jailed, together with fellow...

When a city has been waiting for a badly needed new subway line since 1929, public art is probably far down the list of expectations, well behind accommodations like a) working trains, b) lights and c) some means of entrance and egress.But when commuters descend into the new Second Avenue subway’s four stations, at 96th, 86th, 72nd and 63rd...