The Allure of Matter: Material Art from China at Los Angeles County Museum of Art (LACMA) (2 June 2019–5 January 2020) is an inter-generational show of 21 Chinese artists working from the 1980s to the present, including Ai Weiwei, Cai Guo-Qiang, Lin Tianmiao, Song Dong, He Xiangyu, Yin Xiuzhen, and Ma Qiusha.Staged on Level 2 of LACMA's Renzo...
When the London-born artist Thomas J Price graduated with a Bachelor of Fine Arts from Chelsea College of Arts in 2004, the school's college art prize was by no means his most notable accomplishment as an emerging artist. In 2001, Price presented his much-talked-about work Licked, a daring performance, later profiled on the BBC 4 television...
To coincide with Art Basel 2019, which opens to the public from 13 to 16 June, galleries and institutions across the city are presenting a range of stellar exhibitions. From Rebecca Horn at Museum Tinguely to Geumhyung Jeong at Kunsthalle Basel, here is a selection of what to see.William Kentridge, Dead Remus (2014–2016). Charcoal on found ledger...
Isaac Julien, Western Union Series No. 9 (Shipwreck Sculpture for the New Millennium) (2007). Duratrans in Lightbox. 47 1/4 x 118 1/8 inches. © Isaac Julien, courtesy Metro Pictures.
In 2007, Isaac Julien made Western Union: Small Boats, a video work set in Palermo, Sicily, which portrays the trauma of illegal immigration against the backdrop of a mythological Europe. Julien has said that Luchino Visconti's 1963 film The Leopard, which stars Burt Lancaster and chronicles the changes in Sicily during the unification with Italy in the nineteenth-century, was an inspiration for his work. Two stills from the video are presented in lightboxes in Due South, a cross-cultural group exhibition focused on Sicily at The Delaware Contemporary that runs through April 30.
Isaac Julien is a multi-award winning British artist and filmmaker based in London. Julien graduated with First Class Honours, Bachelor of Fine Arts in film from Saint Martin’s School of Art, London in 1984. He shot to prominence with his 1989 drama-documentary Looking for Langston. In 1991 his film Young Soul Rebels won the Semaine de la Critique prize for best film at the Cannes Film Festival, and he was nominated for the Turner Prize in 2001 for his films The Long Road to Mazatlán (1999) and Vagabondia (2000). In 2003 he won the Grand Jury Prize at the Kunst Film Biennale in Cologne for his single screen version of Baltimore, and in 2008, he received a special Teddy for a film on Derek Jarman that he collaborated on with Tilda Swinton, called Derek, at the Berlin International Film Festival.
Julien has had multiple solo and group exhibitions around Europe, the United States and Asia. Solo shows at the Pompidou Centre in Paris (2005), MOCA Miami (2005), Kestnergesellschaft, Hanover (2006), the Museu Nacional de Arte Contemporânea – Museu do Chiado, Lisbon, Portugal (2009), Museum Brandhorst, Munich (2011), SESC Pompeia in Brazil (2012).
His film Ten Thousand Waves (2010) went on world tour, and has been on display in over 15 countries, concluding at the Museum of Modern Art, New York in 2013/14. Informed by his film background, Julien’s gallery and exhibition installations incorporate film, dance, photography, music, theatre, painting and sculpture to break down barriers between different artistic disciplines and form fractured narratives about race, globalization, and representation.
Julien is represented in both public and private collections including the Museum of Modern Art, New York; Tate Modern; Centre Pompidou; Guggenheim Collection; Hirshhorn Collection, Albright-Knox; the Irish Museum of Modern Art; the National Museum of Norway; Brandhorst Collection; Fundación Helga de Alvear, Madrid; Goetz Collection; the Louis Vuitton Art Foundation; LUMA Foundation; and the Zeitz Foundation.
There was a point where Lucia Koch was disturbed by the fact that most approaches to her works took them only as expressions of atmospheric changes on spaces and the alterations that light, modulated by filters, produced on human perception.
Hélio Oiticica (1937 – 1980) is a now integral part of the New York art scene, in large measure thanks to his 2017 retrospective at the Whitney, To Organize Delirium, which provided New Yorkers with an opportunity to experience him in full.
On 1 August, Brazilian artist Antonio Dias lost a long battle to cancer at the age of 74. Beginning in the 1960s, the artist produced a vast body of work that, in formal and conceptual terms, stood in stark contrast to the sunny output of the previous decade.
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