b. 1975, Belgium

Andy Wauman Biography

‘What fascinates me is the creative versatility of chaos. Chaos is important to spread your imagination; chaos that drives you like a bus.’ Creativity needs chaos to prosper. Chaos as the roller coaster for new ideas. The world of information flows, of the internet, but also of mass- consumption goods, is very stimulating. The word ‘Ideal’ seems to have been carved from coal: an old economic commodity that disintegrates easily. ‘Heart’ is made of compressed scrap metal: the world’s discarded mass-produced articles and chaotic rubbish can be used for a new and totally different form.

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‘City where all the things pass through human hands’. The city is the no man’s land for Andy Wauman. The graffiti are messages from an anonymous recalcitrant. The tags he draws are, in their turn, interpretations of clichés, copied a thousandfold. ‘Temptation city, asphalt stage, black heart of an unoccupied city’. In the city, in suburbia, things happen; signs, stencils and emblems emerge that are not interpreted and retrieved until later, but meanwhile brand themselves on the retina of the subconscious.

‘Typo ruins in fix letter uniform. Spitting black dust of contemporary consumption.’ Everything wears down and falls to pieces. Today, anything that crumbles, ages or rusts has had its chips. ‘Oxy Date’. But Andy Wauman has a special eye for old things. ‘Social energy’ is what he calls it. The things that are taken to the dump now are the treasures and memories of what was once young and daring itself. ‘Trash in bikini & media tears’, no one has the right to throw the baby away with the bathwater, to dump old stuff without any respect. Because old stuff is often less of a copy of a copy than all the stuff that is young and new today.

Andy Wauman, quoted by Marc Ruyters in 2006 

 
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