Ocula Conversation Artist Taloi Havini and Ruth McDougall, curator of Pacific art at Queensland Art Gallery and Gallery of Modern Art, discuss Havini's first Australian solo exhibition, Reclamation .
Ocula Report Sydney Biennale Connects Here with Everywhere By Soo-Min Shim, Sydney 'This year's Biennale of Sydney seems like a corrective,' writes Soo-Min Shim, 'prioritising autonomy in an international exhibition format that has all too often omitted or sidelined First Nations artists.'
Ocula Insight Hell is a Place on Earth: P·P·O·W Looks to History in Context of Covid-19 By Stephanie Bailey, London In the United States, parallels have been drawn between the HIV/AIDS crisis and what is unfolding with Covid-19. These connections feed into P·P·O·W's online exhibition, Hell is a Place on Earth. Heaven is a Place in Your Head .
Galerie Buchholz is an art gallery specialising in international contemporary art with exhibition spaces in Cologne, Berlin and New York City. The gallery was founded in Cologne in 1986 by Daniel Buchholz, and today is run jointly with Christopher Müller.
Read MoreThe gallery’s exhibition spaces are located in Cologne on Neven-DuMont-Strasse 17 and on Elisenstrasse 4-6, in Berlin on Fasanenstrasse 30, as well as in New York on 17 East 82nd Street. Since its founding the gallery has had various locations in Cologne. Its first location was at Bismark Strasse 50, in a former storage facility of the Cologne gallerist Rudolf Zwirner. In 1988, the gallery opened at Venloer Strasse 21 in Cologne. In 1990, Buchholz & Schipper opened at Albertusstrasse 26 in Cologne, a shop run in collaboration with fellow gallerist Esther Schipper specialising in multiples. In 1992, Buchholz & Buchholz opened on Breite Strasse 36 in Cologne, an exhibition space in the second antiquarian bookshop run by Daniel Buchholz’s father. Since 1994, Galerie Daniel Buchholz has been located at Neven-DuMont-Strasse 17, in the primary location of the antiquarian bookstore that his father founded. Daniel Buchholz converted the former storage spaces of the bookstore into exhibition spaces, and, since his father’s death in 1993, has continued to run Antiquariat Buchholz parallel to the gallery. This address is still the headquarters of the gallery today. The art historian Christopher Müller began organizing film programs and co-curating exhibitions in the gallery in 1996. Since 2000 he has been partner in the gallery. In 2006 the gallery opened a second exhibition space in Cologne on the nearby Elisenstrasse. In 2008, the gallery opened a branch in Berlin, at Fasanenstrasse 30 in the Charlottenberg neighborhood, and 2015, a branch in New York City, at 17 East 82nd Street at the Upper East Side, Manhattan.
Ocula Photolog Art Basel Miami Beach 2019 'In Art Basel's American show, leading galleries from North America, Latin America, Europe, and Asia show significant work from the masters of Modern and contemporary art, as well as the new generation of emerging stars. Paintings, sculptures, installations, photographs, films, and editioned works of the highest quality are on display in the main...
Ocula Conversation RoseLee Goldberg: Performance Then and Now By Fawz Kabra RoseLee Goldberg had long been invested in contemporary performance art before her founding of the inter-disciplinary arts organisation Performa in New York in 2004. Born in Durban, South Africa, Goldberg studied political science and fine arts at the University of the Witwatersrand in Johannesburg, and then art history at the Courtauld...
Ocula Photolog FIAC, Paris 2019 'FIAC brings together 197 galleries from 29 countries. Coming together from all over the world, the diversity of FIAC's exhibitors and their loyalty year after year reflects the magnetic attraction of Paris in theinternational creative community.' – FIAC Paris, Press Release.
Ocula Photolog Frieze London 2019 'Frieze London brings together more than 160 galleries from 36 countries, representing the fair's most international edition since its launch. Introducing new curators and sections showcasing performance, emerging artists and the contemporary significance of complex art genealogies and colonial legacies, Frieze London creates an exceptional moment...
Related Press A Show by the Late Lutz Bacher Evokes Something ‘Just Outside of Perception’s Grasp’ Lacan’s sentiment could describe Lutz Bacher’s art practice. Bacher spent 40 years making art that evoked something just out of perception’s grasp. ‘Blue Wave’ at the University of California Irvine (UCI) is Bacher’s final exhibition, conceived seven months before her death last May and curated by her longtime friend, artist and UCI professor...
Related Press Stockhausen, Duchamp, and exit signs – an interview with Cerith Wyn Evans 4 November 2019, Apollo Cerith Wyn Evans has filled the Pirelli HangarBicocca in Milan with his large-scale neon sculptures and other installations. He talks to Gabrielle Schwarz about his interest in music and the complicated influence of Marcel DuchampThis exhibition features works ranging from the 1990s to the present day.
Related Press LUTZ BACHER (1943–2019) 8 July 2019, Artforum WHEN LUTZ DIED THE WORLD SHRANK. In those ethereal days immediately following her stark exit, magic was the word I heard most to describe her effect. A magical phenomenon requires an effortless delivery, the mysterious sleight of hand where one is made incapable of conjuring the method of transmutation. Magic happens before our eyes, but points to...
Related Press Anne Imhof’s Sex Creates Drama but Not Desire 2 July 2019, Hyperallergic CHICAGO — Anne Imhof's work has generated a good deal of buzz since the artist won the Golden Lion at the Venice Biennale in 2017. Her performances are renowned (or notorious) for the way they capture a certain ultra-hip, nihilistic aesthetic. Performers in chic streetwear are scattered throughout a given space, vaping and staring vacantly;...
