即将于2019年7月13开幕的第二届 Condo Shanghai，联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市，如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城，为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥，《景观/对象WA》（2016）。橡木上固化油墨打印，左: 55.88 × 147.32 cm，中: 121.92 × 152.4 cm，右: 55.88 × 147.32 cm，图片提供：马凌画廊，上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...
There is something irrepressibly compelling about the lewd animated videos of Wong Ping. Is it their flat surfaces rendered in popping colours? Or their dark narratives that resonate with the deepest recesses of the human psyche? They have been included in an impressive repertoire of group exhibitions in recent years, including One Hand Clapping at...
Get Up Stand Up Now: Generations of Black Creative Pioneers at Somerset House in London (12 June–15 September 2019) surveys more than half a century of black creativity in Britain and beyond across the fields of art, film, photography, music, design, fashion, and literature.Curated by Zak Ové, works by approximately 100 intergenerational black...
A bestselling author of the Weimar Republic and a glamorous figure of 1920s Berlin, Irmgard Keun established the concept of modern "girl culture". Her novels are written in the manner of "Neue Sachlichkeit" ("New Objectivity"), direct, observational, almost staged in their nature and strongly informed by film and popular culture. She was blacklisted after the Nazis rose to power and forced into exile and would later fake her own suicide and sneak back into Nazi Germany under an assumed identity. Mostly forgotten after the war she experienced a literary renaissance in Germany before her death in 1983.
The fantasy film Two A.M. is based on Irmgard Keun's novel After Midnight, 1937, describing two days in the life of the heroine Sanna in Frankfurt during the rise of the Nazis.
_Two A.M., _2016, 40 min, HDV, colour Punky, streetwise Sanna bridles at her aunt's traditional ways. Her adopted family are members of the Watchers, powerful information-obsessives whose unusual telepathic abilities and sociopolitical pretensions only manage to get on Sanna's nerves. But after she abandons the family home and her young lover for the city, herdream of a brilliant urban life quickly falls flat. From her half-sister Algin, in despair over a faded singing career, to Algin's depressive and love-obsessed partner Lisko, to Hedy, the splenetic, paranoid journalist who's inadvertently caught Lisko's eye, everyone in the big city seems to be totally wrapped up in their own serial dramas and star-crossed affairs. She quickly acquires a problem of her own whenher lover, Franz, reappears in the city along with her unpredictable, sinister Watcher sisters. Sanna and her friends bounce from bar to bar towards a party that will bring everyone's minor ennuis and compulsive intimacies together with unforgettable results.
With: Theadora Davies, Emile Clarke, Jim Fletcher, Sophie Fives, Annika Glass, Andrew Kerton, Paula Knüpling, Ilya Lipkin, Mira Partecke, Emily Sundblad, Yuko Torihara, Helga Wretman, Michael Bornhütter, Klaus Kamptner, Leonie Kossi, Gerda Martin, Liana Saito, Julian Wadsworth, Min Yoon
Script: Jeff Nagy, Loretta Fahrenholz, Cinematography: Till Megerle Sound: Simon Konrad, Assistant Director: Angela Stiegler, Yulia Lokshina Editing: Steffen Martin Sound Design: Steffen Martin Costumes: Marianna Serwa Costumes Assistant: Joanna Vavra Make-up: Marianna Serwa Party Set: Nicola Brunnhuber, Catharina Wronn, Min Yoon Production Management: Yulia Lokshina, Angela Stiegler Casting: Loretta Fahrenholz, Angela Stiegler, Steffen Martin Locations: Angela Stiegler, Erika Landström, Loretta Fahrenholz Color Grading: Ben Brix Music: Steffen Martin, Ivan Sobolew, Christian Naujoks Production: Loretta Fahrenholz, Schipschack/Tangen, vitakuben, Fridericianum Kassel, Kunsthalle Zürich, Galerie Buchholz, Reena Spaulings Fine Arts Titles: Hit
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