In the pictures of Kristina Schuldt (1982 in Moscow, lives and works in Leipzig), faceless women's bodies lie, fall, loll languorously, or bend themselves, as two-dimensional tubes. They thereby resemble smoothly polished machines more than living beings. Kristina Schuldt unashamedly makes use of the pictorial forms of Classic Modernism, but she creates her own new pictorial language, for example from the wavy hair of a Fernand Léger painting and powerful, schematised bodies that recall the avant-garde pictures of the 1920s. She exposes her figures to a garish party illumination and uses cigarettes and miniskirts to give them a nonchalance and coolness that is more reminiscent of teenagers than of mature, strong women.
Text courtesy Galerie Eigen + Art.