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Galerie Lelong & Co. Paris
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  • 13 Rue de Téhéran, Paris
  • 38 Ave Matignon, Paris
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  • 38 Ave Matignon, Paris
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Galerie Lelong & Co. Paris In Press Archive

Sean Scully takes up residence in Picasso’s former studio at Château de Boisgeloup Related Press Sean Scully takes up residence in Picasso’s former studio at Château de Boisgeloup 6 November 2019, Wallpaper*

'I'm the Donald Trump of the art world,' Sean Scully jokingly declared in the BBC documentary released in April this year about his art and life as one of the world's wealthiest living artists, in whi

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This Wall Was Made for Walking Related Press This Wall Was Made for Walking 23 October 2019, The New York Times

KANSAS CITY, Mo.—There are walls—and then there are walls. Some, like the one that separated East and West Berlin, are designed to keep people in. Others, like the one snaking along portions of the so

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LOOSE CANON Related Press LOOSE CANON 21 October 2019, ARTFORUM

IN JUNE, NEW YORK'S MUSEUM OF MODERN ART WENT DARK to put the finishing touches on its contentious five-year expansion, which promised to put $450 million and 47,000 square feet of Diller Scofidio + R

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The Must-See Exhibitions in Paris During FIAC Related Press The Must-See Exhibitions in Paris During FIAC 16 October 2019, Frieze Magazine

Known for her politically charged works that explore themes like exile, mass-migration and displacement, British-Palestinian artist Mona Hatoum is experiencing renewed and timely interest today, parti

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This new exhibition reframes the legacy of artist Ana Mendieta Related Press This new exhibition reframes the legacy of artist Ana Mendieta 4 October 2019, Dazed

Galerie Lelong, which manages Mendieta’s estate, is casting a light on a body of work that was believed to be lost and destroyed. Opening October 17 in New York, La Tierra Habla (The Earth Speaks) i

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How Surrealism’s Playful Aesthetic Was Deeply Political Related Press How Surrealism’s Playful Aesthetic Was Deeply Political 16 September 2019, Hyperallergic

Susan Laxton's book Surrealism at Play passionately traces how a particular art movement envisioned and articulated its own transformative potential. As Laxton illustrates, the Surrealists agitated fo

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‘Wood suits me, I’m a Saxon!’ – an interview with David Nash Related Press ‘Wood suits me, I’m a Saxon!’ – an interview with David Nash 3 August 2019, Apollo

'Making art outside,' David Nash explains, 'is completely different from working inside.' He looks around the East Sussex drawing studio in which we are talking, and adds: 'In here we've got four wall

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Reconciling Secular Art in Sacred Spaces Related Press Reconciling Secular Art in Sacred Spaces 20 July 2019, Hyperallergic

VENICE — The two most arresting exhibitions I saw among the Venice Biennale's collateral displays were Sean Scully's Human and _Artists Need to Create on the Same Scale that Society Has the Capacit

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LEONARDO DREW with Charles Schultz Related Press LEONARDO DREW with Charles Schultz 2 July 2019, The Brooklyn Rail

Leonardo Drew (b. 1961) considers himself an elder statesman of the art world. In his first exhibition, at age 13, he showed a larger than life painting of Captain America. His natural talent for draf

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The Passion and Process of David Hockney, Seen in a Restored Documentary Related Press The Passion and Process of David Hockney, Seen in a Restored Documentary 20 June 2019, Hyperallergic

A Bigger Splash, a semi-fictionalized documentary about David Hockney opens with a ringing phone. A slideshow of photos flashes across the screen, and the shrill ringing goes on. Ten seconds... Twen

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BARTHÉLÉMY TOGUO: THE NOMADIC ARTIST BALANCING THE WEIGHT OF THE WORLD ON THE TIP OF HIS PAINT BRUSH Related Press BARTHÉLÉMY TOGUO: THE NOMADIC ARTIST BALANCING THE WEIGHT OF THE WORLD ON THE TIP OF HIS PAINT BRUSH 18 June 2019, Hunger

The nomadic artist has spent years cultivating his craft. City to city, embracing identities and cultures and leaving remnants of himself behind; with every continent explored, iterations of those ant

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Mandatory Viewing: Nancy Spero’s Bold Feminist Art Related Press Mandatory Viewing: Nancy Spero’s Bold Feminist Art 13 June 2019, The New York Times

A small sign outside Nancy Spero: Paper Mirror at MoMA PS1 says 'this exhibition may not be suitable for all audiences.' Fair enough, since the show contains some abstract, impressionistic depiction

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Preview Art Basel 2019 Related Press Preview Art Basel 2019 7 June 2019, ARTnews

Art Basel 2019 opens to the public on Thursday, June 13, with two preview days, on June 11 and 12. Some 290 galleries from 34 countries will show work at the Swiss fair, which runs through June 16.

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Jannis Kounellis: A Taxonomy of Tired Things Related Press Jannis Kounellis: A Taxonomy of Tired Things 7 June 2019, Frieze

All that remained were 48 hats. 48 hats and 48 coats. 48 hats and 48 coats and 48 pairs of shoes. They lay, folded, in six lines of eight, the discarded wear of 48 absent men or the uniform of a singl

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CRITICS’ PICKS: Leonardo Drew Related Press CRITICS’ PICKS: Leonardo Drew 1 June 2019, Artforum

Leonardo Drew’s wooden assemblages inspire a distinctly energetic choreography. Employing the minute and the monumental as coconspirators in his visual schema, Drew facilitates an unanchored viewing e

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The Best Things to See at the 2019 Venice Biennale Related Press The Best Things to See at the 2019 Venice Biennale 13 May 2019, AnOther

The 58 th edition of the Venice Biennale, May You Live in Interesting Times curated by Ralph Rugoff–from London’s very own Hayward Gallery–proves to be as interesting as its title promises. Venice

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Barthélemy Toguo: Urban Requiem Related Press Barthélemy Toguo: Urban Requiem 1 May 2019, The Brooklyn Rail

It started with a passport. For artist Barthélemy Toguo, movement through the world was tethered to the small book he was required to carry when he traveled, within which his progress could be tracked

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The Art Newspaper's pick of the 2019 Venice Biennale Related Press The Art Newspaper's pick of the 2019 Venice Biennale 30 April 2019, The Art Newspaper

There are hundreds of exhibitions in Venice during the Biennale. Alongside the main exhibition in the Giardini and Arsenale, there are 90 national presentations, many in nearby pavilions in the Giardi

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Dangerous Art: A Stark But Inspiring New Exhibit Related Press Dangerous Art: A Stark But Inspiring New Exhibit 6 April 2019, npr

A rickety-looking wooden boat is piled high with overstuffed bags covered in colorfully patterned African fabrics. Hanging overboard: a collection of plastic teapot-shaped pots and gasoline cans. Inst

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Hockney-Van Gogh: The Joy of Nature Related Press Hockney-Van Gogh: The Joy of Nature 2 April 2019, The Brooklyn Rail

Hockney–Van Gogh: The Joy of Nature is unabashedly a David Hockney (b. 1937) exhibition but with a twist, it winds the modern master's works around his lifelong fascination with Vincent van Gogh (1

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An Exhibition Comparing Hockney and van Gogh Searches for Common Ground Related Press An Exhibition Comparing Hockney and van Gogh Searches for Common Ground 27 March 2019, Hyperallergic

AMSTERDAM — Entering Hockney – Van Gogh: The Joy of Nature at Amsterdam's Van Gogh Museum is like walking into a painted fantasy forest. Tree trunks are rendered in red, blue, pink, purple, yellow

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Joan Miró’s Modernism for Everybody Related Press Joan Miró’s Modernism for Everybody 11 March 2019, The New Yorker

Painting, painted by Joan Miró in 1933, in Barcelona, is a composition of black, red, and white blobby shapes and linear glyphs on a ground of bleeding and blending greens and browns. It hangs in _J

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Sean Scully’s Figurative Leap Related Press Sean Scully’s Figurative Leap 9 March 2019, Hyperallergic

When I became an art critic in 1981 one of the first artists I met and wrote about was Sean Scully. At that time I was teaching philosophy in Pittsburgh and he, having recently moved to New York, was

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Nature boys – Hockney and Van Gogh in Amsterdam Related Press Nature boys – Hockney and Van Gogh in Amsterdam 7 March 2019, Apollo

'Matisse once said: two kilos of blue are bluer than one kilo of blue. Which is a very good remark, but in green it must be three kilos.' So says David Hockney in an interview with Hans den Hartog Jag

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