Influenced by Minimal and Conceptual art, American artist Sarah Morris creates complex abstract paintings and films. Her unique compositions play with architecture and the psychology of the urban. Morris' artistic practice investigates what she describes as 'urban, social and bureaucratic typologies'.Read More
Sarah Morris was born in Sevenoaks, England. She graduated in 1989 from Brown University in Providence, Rhode Island, U.S.A. with a BA. During her time at Brown, Morris also attended Cambridge University in England. Shortly after graduating, she was invited to participate in the Whitney Museum of American Art Independent Study Program from 1989 to 1990.
Morris began her career by experimenting with large-scale paintings that featured abstract geometric forms. Her early works reconfigured the emotive language used in the media by presenting it in a vibrant Pop style. This soon developed into city-based paintings made from household gloss paint on canvas. These works depict colourful architectural designs in square grids. Morris' bold use of colour is derived from each city's idiosyncratic language and energy. Her ability to layer geometric structures that are inspired by real buildings creates a disorientating and abstract perspective of urban landscape.
In her film work, Morris manoeuvres the camera to both mesmerise and alienate the viewer. Like her labyrinthine paintings, Morris draws inspiration from real life settings and scenarios.
In Los Angeles (2004), Morris investigates the architecture, culture, and aesthetics of the city. The 26-minute video looks at the external and internal aspects of the city, focusing on things like the geography of the area and the psychology of the city dwellers.
Morris' thoughtful cinematography reveals the city's preoccupation with ambition and celebrity culture. Scenes of actors including Nicole Kidman, Bill Murray, and Sofia Coppola create a flashy setting of urban landscape. Morris' narrative exposes the mechanisms of filmmaking and celebrity that make up Los Angeles and the fame-focused industry it has become.
Rio (2012) is Morris' eleventh film. Like Los Angeles, Rio (2012) explores the psychological dynamics of the urban, this time in Rio de Janeiro. The artist portrays mundane scenes of day-to-day life in a sprawling city alongside dazzling and eroticised images of carnival. The artist's cinematography flashes between frames of iconic modernist buildings, Ipanema—Brazil's most famous beach, production lines in factories, and the communities inhabiting Rio's favelas.
Her multifaceted film also features recognised figures in Rio's history and culture. She captures individuals like Eduardo Paes, the Mayor of Rio, in his headquarters, and Oscar Niemeyer, a key Brazilian architect, in his private office. Morris' criss-crossing visual commentary reveals Rio de Janeiro's outward-facing identity and a psychology of the city that is masked by figures, facades, and a complex political history.
Sarah Morris' film Strange Magic (2014) was commissioned for the opening of Fondation Louis Vuitton in Paris. In this work, the artist unravels physical environments and deconstructs the mechanisms of high-end products such as perfume, champagne, and fashion—France's most desirable commodities. Strange Magic (2014) depicts the artist's interest in the commodity of production and its conception as something both physical and intangible.
Morris has exhibited widely, with solo exhibitions including Infinite Games... 2, Capitain Petzel, Berlin (2021); Artists For New York, Hauser & Wirth, New York (2020); The Odysseus Factor, Ullens Center for Contemporary Art, Beijing (2018); Sarah Morris, Espoo Museum of Modern Art, Finland (2017); Hellion Equilibrium, Dirimart, Istanbul (2016); Galeria do Rock, White Cube, Sao Paulo (2015); Clips, Knots and 1972, Gallery Hyundai, Seoul (2010); Endeavor, Palais de Tokyo, Paris (2005); Correspondence, Nationalgalerie im Hamburger Bahnhof, Berlin (2001); and Sarah Morris, Modern Art Oxford (1999).
Group exhibitions include Desde el Salón (From the Living Room) Sol Calero selects from the Hiscox Collection, Whitechapel Gallery, London (2020); Art and China after 1989: Theater of the World, Guggenheim, Bilbao (2018) and Solomon R. Guggenheim, New York (2017); Days like These: The Tate Triennial Exhibition of Contemporary British Art, Tate Britain, London (2003); Iconografias Metropolitanas, 25th Sao Paulo Biennal Centro Cultural Banco do Brasilia (2002); and Beau Monde: Toward a Redeemed Cosmopolitan, 4th Site Santa Fe Biennial (2001).j
Phoebe Bradford | Ocula | 2021
Born in Kent in 1967, the artist Sarah Morris grew up in Rhode Island and now lives in New York. She studied at Brown and Cambridge universities, and is known for her abstract geometric paintings andRead More Related Press In the Swiss Alps, a Biennial Celebrates the Luxurious Part of the Art World 18 February 2019, Hyperallergic
GSTAAD, Switzerland — Why travel to the Swiss Alps, if not for the benefits of breathing some rareified air? Elevation 1049 is a biennial now in its third iteration, produced by the Luma FoundationRead More Related Press Sarah Morris, interviewed by Philippe Parreno 13 March 2017, Interview
Morris's paintings are like controlled detonations, more scientific than spontaneous declarations, and, thus, their obsessive, kaleidoscopic grids function like cultural spiderwebs or structural lattice underneath the smooth skin of economies and behavior.Read More Related Press Sarah Morris at Museum Leuven 23 January 2016, Contemporary Art Daily
Museum Leuven presents a solo exhibition by American artist Sarah Morris (°1967). Sarah Morris is an internationally recognized painter and filmmaker. She is known for her graphic abstractions, which play with the architecture and psychology of urban environments. The exhibition consists of several series of paintings and drawings, four films...Read More