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Galerie Mirchandani + Steinruecke
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Mumbai, India
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Vidha Saumya

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b. 1984, India

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In her art-making, the format of the book has played a central role for Vidha Saumya. The powerful drawings in Purdah (2007), which she made while studying for a Diploma in Visual Communications Design at the Srishti School of Art, Design and Technology, Bangalore, began with a curiosity about the religious and social ramifications of Islam. While at Srishti, Saumya was awarded a scholarship by the South Asia Foundation for an Independent Study Programme at Lahore’s Beaconhouse National University, in 2007. In Lahore, she documented ephemeral encounters with Lahori rickshaw-wallahs in a book of illustrations titled Guftagoon: Gutargoon (2008), which prompted her to repeat the adventure with their counterparts in Bombay. The following year, she developed a book of drawings titled Explosives (2009), which enacted an overheated sexual fantasy; but its shock value was blunted through a repeated assault on our senses. 

Around this time, Saumya began experimenting with larger drawings on Chinese rice paper. These displayed a certain anxiety, that comes from feeling the need to expose the bodied self, but not being able to go all the way. With her fine embroiderer’s or calligrapher’s eye for detail, Saumya captured large-bodied performing women, who posed in lingerie, very coy and unsure, awkward even. They were facing young fashionable lads. Gradually, the men were substituted by gestures made by the women themselves. The women transformed into floating bodies submerged in an exaggeration of emotion and gesture. Saumya’s works occasion a strangely ambivalent erotics. While the elaborate masquerade performed by these wild women protagonists is flagrantly on display, their bodies, touching, leaning, falling over each other, erase the boundaries between self and other, between bodied self and self-in-transit. 

Text courtesy Galerie Mirchandani + Steinruecke.

Recent Exhibitions

Contemporary art exhibition, Group Show, Touched by Bhupen at Galerie Mirchandani + Steinruecke, Mumbai, India Closed 29 November 2013–28 February 2014 Group Show Touched by Bhupen

Recent Artworks

View All (11)
After Martin by Vidha Saumya contemporary artwork mixed media
Vidha Saumya After Martin, 2017 Cello Gripper on Whenzhou paper
138 x 182 cm
Galerie Mirchandani + Steinruecke Contact Gallery
Loaded, heavy the starry sky by Vidha Saumya contemporary artwork works on paper
Vidha Saumya Loaded, heavy the starry sky, 2011 Cello gripper on Chinese paper
68 x 147.3 cm
Galerie Mirchandani + Steinruecke Contact Gallery
From the series 'Gutting Blue' (2) by Vidha Saumya contemporary artwork works on paper
Vidha Saumya From the series 'Gutting Blue' (2), 2012 Cello gripper and photo ink in Chinese paper
160.2 x 68 cm
Galerie Mirchandani + Steinruecke Contact Gallery
From the series 'Gutting Blue' (3) by Vidha Saumya contemporary artwork works on paper
Vidha Saumya From the series 'Gutting Blue' (3), 2012 Cello gripper and photo ink on Chinese paper
160.2 x 68 cm
Galerie Mirchandani + Steinruecke Contact Gallery
From the series 'Gutting Blue' (1) by Vidha Saumya contemporary artwork works on paper
Vidha Saumya From the series 'Gutting Blue' (1), 2012 Cello gripper and photo ink on Chinese paper
160.2 x 68 cm
Galerie Mirchandani + Steinruecke Contact Gallery
Daggerful by Vidha Saumya contemporary artwork works on paper
Vidha Saumya Daggerful, 2010 Cello gripper on Chinese paper
68 x 125.7 cm
Galerie Mirchandani + Steinruecke Contact Gallery
Rita by Vidha Saumya contemporary artwork works on paper
Vidha Saumya Rita Ink on paper
34.2 x 58.4 cm
Galerie Mirchandani + Steinruecke Contact Gallery
Hazel by Vidha Saumya contemporary artwork works on paper
Vidha Saumya Hazel Ink on paper
34.2 x 58.4 cm
Galerie Mirchandani + Steinruecke Contact Gallery
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Recent Artworks View All (11) Recent Artworks
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