即将于2019年7月13开幕的第二届 Condo Shanghai，联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市，如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城，为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥，《景观/对象WA》（2016）。橡木上固化油墨打印，左: 55.88 × 147.32 cm，中: 121.92 × 152.4 cm，右: 55.88 × 147.32 cm，图片提供：马凌画廊，上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...
There is something irrepressibly compelling about the lewd animated videos of Wong Ping. Is it their flat surfaces rendered in popping colours? Or their dark narratives that resonate with the deepest recesses of the human psyche? They have been included in an impressive repertoire of group exhibitions in recent years, including One Hand Clapping at...
Get Up Stand Up Now: Generations of Black Creative Pioneers at Somerset House in London (12 June–15 September 2019) surveys more than half a century of black creativity in Britain and beyond across the fields of art, film, photography, music, design, fashion, and literature.Curated by Zak Ové, works by approximately 100 intergenerational black...
Born in 1954 in Saint-Mandé, France, lives and works in Paris and Berlin
Bernard Frize studied at the École Supérieur d’Art (School of Art) in Aix-en-Provence, France, and the École Supérieur des Beaux-Arts (School of Fine Arts) in Montpellier. He was awarded an artist in residence grant at Villa Medici, Rome, Italy, in 1984 and at DAAD, Berlin, Germany, in 1993
When asked what he enjoys most about painting, Bernard Frize once said, 'If I succeed in inventing a small mechanism, an engine that runs by itself. One that no longer needs me.' Frize’s conceptual painting, which has also been described as 'peinture automatique,' is based on conditions that initiate processes that make the production of painting visible on canvas. He likes to work in series, often several at once, as a way of testing and exploring the possible outcomes of his decisions.
Bernard Frize occupies a unique position in the discourse of abstract painting due to the austerity of his artistic ideas paired with a simultaneous freedom of implementation. He loves paradoxes in painting: 'In order for chance to work, you have to create conditions that make chance possible. One of these is having a lot of time. It is a rather complex thing to arrange situations in which you do nothing and things happen by themselves.' Colour is another paradox, for it does 'not particularly interest' him, despite being a vital raw material for his work. By using colour in a nonhierarchical and experimental or technical-mechanical manner, Frize highlights painting as a handicraft, while also discounting the idea of the act of artistic creation. Frize lends his works a certain dynamic through an investigation of painting’s contradictions. He mixes synthetic resin with fluid acrylic paint to avoid all traces of a personal touch and the emotional effect of brushstrokes. The resulting picture planes, at once alluring and hermetic, have become a trademark of his painting style.
Bernard Frize has had solo exhibitions at the Fundação Calouste Gulbenkian, Lisboa, Portugal; Museum Morsbroich, Leverkusen, Germany; Kunsthallen Brandts, Odense, Denmark; Ikon Gallery, Birmingham, UK; Musée d'art Moderne de la Ville de Paris; S.M.A.K., Ghent, Belgium; the Haags Gemeentemuseum, The Hague; MUMOK Museum moderner Kunst, Vienna, Austria; Kunstmuseum St. Gallen, Switzerland; Westfälisches Landesmuseum, Münster, Germany; among others. Bernard Frize participated in the Venice Biennale in 1990 and 2005, the Biennale of Sydney in 1998, and the Shanghai Biennale in 2000.
His works can be found in numerous museum collections, such as the Tate Gallery, London, United Kingdom; Museum für Moderne Kunst, Frankfurt/Main, Germany; Kunstmuseum Basel, Switzerland; Kunsthaus Zürich, Switzerland; Kunstmuseum Bonn, Germany; Museum Morsbroich, Leverkusen, Germany; Städtische Galerie im Lenbachhaus, Munich, Germany; Centre Pompidou, Paris, France; Musée d’art moderne de la Ville de Paris, France; Musée de Grenoble, France; National Museum of Art Osaka, Japan; Museo Reina Sofia, Madrid, Spain; Museum of Contemporary Art, Los Angeles, California.
Bernard Frize was awarded the Fred-Thieler-Preis in 2011 and the Käthe-Kollwitz-Preis in 2015.
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