I first visited Havana in November 2016, a few days after Fidel Castro died, and just under a year before Hurricane Irma hit Cuba in September 2017. Since then, much has changed, including the hand-painted signs that punctuate the journey from the airport to the city centre, which today do not celebrate the revolution so much as the 'Unidad y...
The exhibition Beyond Boundaries at Somerset House in London (12 March–2 April 2019) marked the historic contributions of the Central Academy of Fine Arts, Beijing (CAFA) and the Slade School of Fine Art, University College London, on the occasion of their 100th and 150th anniversaries, respectively. Spread across several rooms of Somerset House's...
The National 2019: New Australian Art features work by 70 contemporary Australia-based artists split across three venues: the Art Gallery of New South Wales (AGNSW), Carriageworks, and the Museum of Contemporary Art Australia (MCA) (29 March–21 July 2019), as curated by Isobel Parker Philip, curator of photographs at AGNSW; Daniel Mudie Cunningham,...
Born in 1954 in Saint-Mandé, France, lives and works in Paris and Berlin
Bernard Frize studied at the École Supérieur d’Art (School of Art) in Aix-en-Provence, France, and the École Supérieur des Beaux-Arts (School of Fine Arts) in Montpellier. He was awarded an artist in residence grant at Villa Medici, Rome, Italy, in 1984 and at DAAD, Berlin, Germany, in 1993
When asked what he enjoys most about painting, Bernard Frize once said, 'If I succeed in inventing a small mechanism, an engine that runs by itself. One that no longer needs me.' Frize’s conceptual painting, which has also been described as 'peinture automatique,' is based on conditions that initiate processes that make the production of painting visible on canvas. He likes to work in series, often several at once, as a way of testing and exploring the possible outcomes of his decisions.
Bernard Frize occupies a unique position in the discourse of abstract painting due to the austerity of his artistic ideas paired with a simultaneous freedom of implementation. He loves paradoxes in painting: 'In order for chance to work, you have to create conditions that make chance possible. One of these is having a lot of time. It is a rather complex thing to arrange situations in which you do nothing and things happen by themselves.' Colour is another paradox, for it does 'not particularly interest' him, despite being a vital raw material for his work. By using colour in a nonhierarchical and experimental or technical-mechanical manner, Frize highlights painting as a handicraft, while also discounting the idea of the act of artistic creation. Frize lends his works a certain dynamic through an investigation of painting’s contradictions. He mixes synthetic resin with fluid acrylic paint to avoid all traces of a personal touch and the emotional effect of brushstrokes. The resulting picture planes, at once alluring and hermetic, have become a trademark of his painting style.
Bernard Frize has had solo exhibitions at the Fundação Calouste Gulbenkian, Lisboa, Portugal; Museum Morsbroich, Leverkusen, Germany; Kunsthallen Brandts, Odense, Denmark; Ikon Gallery, Birmingham, UK; Musée d'art Moderne de la Ville de Paris; S.M.A.K., Ghent, Belgium; the Haags Gemeentemuseum, The Hague; MUMOK Museum moderner Kunst, Vienna, Austria; Kunstmuseum St. Gallen, Switzerland; Westfälisches Landesmuseum, Münster, Germany; among others. Bernard Frize participated in the Venice Biennale in 1990 and 2005, the Biennale of Sydney in 1998, and the Shanghai Biennale in 2000.
His works can be found in numerous museum collections, such as the Tate Gallery, London, United Kingdom; Museum für Moderne Kunst, Frankfurt/Main, Germany; Kunstmuseum Basel, Switzerland; Kunsthaus Zürich, Switzerland; Kunstmuseum Bonn, Germany; Museum Morsbroich, Leverkusen, Germany; Städtische Galerie im Lenbachhaus, Munich, Germany; Centre Pompidou, Paris, France; Musée d’art moderne de la Ville de Paris, France; Musée de Grenoble, France; National Museum of Art Osaka, Japan; Museo Reina Sofia, Madrid, Spain; Museum of Contemporary Art, Los Angeles, California.
Bernard Frize was awarded the Fred-Thieler-Preis in 2011 and the Käthe-Kollwitz-Preis in 2015.
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