Galerija Fotografija Levstikov trg 7
Ljubljana, 1000
Slovenia
galerijafotografija.si/en
+386 125 115 29
Mon - Fri, 10am - 7pm
Sat, 10am - 2pm
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From the series 'People'.
Kerbler's black-and-white photographs are not only artistic but carry enormous ethnographic value. They are a document of the rural people of the sixties and seventies when Yugoslavia was emphasising its industrialisation and development. In contrast, agrarian areas of Haloze and Kozjansko were subject to poverty and famine, yet full of tradition and old customs, now preserved in Kerbler's photographic material.
'Neorealism – the new image in Italy 1932-1960' analyses the existing relationship between photography and other fields of art, such as cinema and literature. The inspiration and reasons that drove the various authors are addressed in order to show the way they worked. Although they started from many diverse points of view and cultural approaches, their work led to an outcome which became coherent. This project also introduces a new interpretation of the phenomenon based upon the idea that the roots of neorealism can be found in the fascist period.
Different sizes available:
'Neorealism – the new image in Italy 1932-1960' analyses the existing relationship between photography and other fields of art, such as cinema and literature. The inspiration and reasons that drove the various authors are addressed in order to show the way they worked. Although they started from many diverse points of view and cultural approaches, their work led to an outcome which became coherent. This project also introduces a new interpretation of the phenomenon based upon the idea that the roots of neorealism can be found in the fascist period.
Different sizes available:
One Thing Leads to Another. I am a curious animal. Why photography? For one it gives me the excuse to be anywhere anytime. That's my job. The only continuous, consistent compass in my life. I am not interested in stories with a beginning and an end. I prefer the ambiguous terrain that sparks an emotion. I wonder what came before and after I enter the scene and trip the shutter. I don't want to be living on a chess board analyzing my every move. Spontaneity and impulse are everything. Poker is more my game. Risk and chance whet my appetite, and that is how I extract nourishment.
One Thing Leads to Another. I am a curious animal. Why photography? For one it gives me the excuse to be anywhere anytime. That's my job. The only continuous, consistent compass in my life. I am not interested in stories with a beginning and an end. I prefer the ambiguous terrain that sparks an emotion. I wonder what came before and after I enter the scene and trip the shutter. I don't want to be living on a chess board analyzing my every move. Spontaneity and impulse are everything. Poker is more my game. Risk and chance whet my appetite, and that is how I extract nourishment.
One Thing Leads to Another. I am a curious animal. Why photography? For one it gives me the excuse to be anywhere anytime. That's my job. The only continuous, consistent compass in my life. I am not interested in stories with a beginning and an end. I prefer the ambiguous terrain that sparks an emotion. I wonder what came before and after I enter the scene and trip the shutter. I don't want to be living on a chess board analyzing my every move. Spontaneity and impulse are everything. Poker is more my game. Risk and chance whet my appetite, and that is how I extract nourishment.
Riboud's photographs reveal and communicate a comprehension and understanding, interpretations of scenes and shots and go far beyond simple reported information. He is best known for his extensive reporting of the East: The Three Banners of China, Face of North Vietnam, Visions of China, In China. He also created a number of portraits of well-known artists, intellectuals and politicians.
Riboud's photographs reveal and communicate a comprehension and understanding, interpretations of scenes and shots and go far beyond simple reported information. He is best known for his extensive reporting of the East: The Three Banners of China, Face of North Vietnam, Visions of China, In China. He also created a number of portraits of well-known artists, intellectuals and politicians.
