I first visited Havana in November 2016, a few days after Fidel Castro died, and just under a year before Hurricane Irma hit Cuba in September 2017. Since then, much has changed, including the hand-painted signs that punctuate the journey from the airport to the city centre, which today do not celebrate the revolution so much as the 'Unidad y...
The exhibition Beyond Boundaries at Somerset House in London (12 March–2 April 2019) marked the historic contributions of the Central Academy of Fine Arts, Beijing (CAFA) and the Slade School of Fine Art, University College London, on the occasion of their 100th and 150th anniversaries, respectively. Spread across several rooms of Somerset House's...
The National 2019: New Australian Art features work by 70 contemporary Australia-based artists split across three venues: the Art Gallery of New South Wales (AGNSW), Carriageworks, and the Museum of Contemporary Art Australia (MCA) (29 March–21 July 2019), as curated by Isobel Parker Philip, curator of photographs at AGNSW; Daniel Mudie Cunningham,...
The notion of 'Britishness' has long been underpinned by a tangle of contradictions; evocative of both the aristocratic establishment, and its countercultural underside.
Damien Hirst is an internationally renowned contemporary artist. Hirst studied at Goldsmiths College, London and first gained recognition after curating the seminal show Freeze in 1988; the inaugural exhibition of the group of artists now known as the Young British Artists or YBAs. The exhibition established Hirst and his fellow students as among the most prominent artists of their generation.
Hirst works in a variety of media including installation, sculpture, painting, and drawing. Many of his works revolve around the central theme of death. Among his most notable works are The Physical Impossibility of Death in the Mind of Someone Living, a shark suspended in formaldehyde in a vitrine, and For the Love of God, a human skull completely encrusted in diamonds. Viewers of Hirst’s work are forced to confront their own fears surrounding mortality. His other enduring themes of religion, love, art, and science are also embodied in works equally challenging for which he has created his own motifs and vocabulary. Works range from cabinets of pills, spin paintings and works that use dead butterflies.
Damien Hirst was born in England where he continues to live and work. In 1995, he was the recipient of the Turner Prize. The first retrospective of Hirst’s work, The Agony and the Ecstasy, took place at the Museo Archeologico Nazionale, Naples, in 2004. A later retrospective at the Tate Modern in 2012 recognized Hirst’s contributions to British art over the last three decades.
Hirst is also recognised as a disruptive player in the art world. This has involved consigning his own works to an auction house for a one vendor sale, to selling his own editions and multiples through a retail outlet called Other Criteria. Recently Hirst opened his own art gallery in London.
Hirst has been the subject of solo exhibitions at Tate Modern, London (2012); Musei di Palazzo Vecchio, Florence (2010); Rijksmuseum, Amsterdam (2008); and Astrup Fearnley Museet fur Moderne Kunst, Oslo (2005). His work is held in major public and private collections around the world.
Wim Delvoye was interviewed by Rasmus Quistgaard at Herning Museum of Contemporary Art in Herning, Denmark in April 2017.
The mind of American artist George Condo has been referred to as a place where 'Picasso meets Looney Tunes.' Watch him at work in his New York-studio where he draws and paints his take on a 19th-century painting by Manet.
'I kind of draw like you’re walking through the forest, where you don’t really know where you’re going, and you just start from some point and randomly travel through the paper until you get to a place where you finally reach your destination.' Condo studied music theory at college, but soon realised that it was too formal and rigid for him, and...
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