I first visited Havana in November 2016, a few days after Fidel Castro died, and just under a year before Hurricane Irma hit Cuba in September 2017. Since then, much has changed, including the hand-painted signs that punctuate the journey from the airport to the city centre, which today do not celebrate the revolution so much as the 'Unidad y...
The exhibition Beyond Boundaries at Somerset House in London (12 March–2 April 2019) marked the historic contributions of the Central Academy of Fine Arts, Beijing (CAFA) and the Slade School of Fine Art, University College London, on the occasion of their 100th and 150th anniversaries, respectively. Spread across several rooms of Somerset House's...
The National 2019: New Australian Art features work by 70 contemporary Australia-based artists split across three venues: the Art Gallery of New South Wales (AGNSW), Carriageworks, and the Museum of Contemporary Art Australia (MCA) (29 March–21 July 2019), as curated by Isobel Parker Philip, curator of photographs at AGNSW; Daniel Mudie Cunningham,...
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Grey Noise, Dubai represents art practices with a focus towards contemporaneity, and an emphasis on distinct, often experimental content. Not limiting itself to geographical representation, the gallery exhibits both emerging and established artists who demonstrate a defined conceptual premise in their oeuvre.
Grey Noise, Dubai is pleased to announce its participation at SPRING1883, Melbourne, with a presentation by Charbel – joseph H. Boutros, Michael John Whelan, and Lantian Xie. Working with the hotel room’s interior, the artists present a series of responses and interventions through sound, image, and performance. The works in each instance consider the hotel room as evoking the evidenced, the ephemeral, and the historical.
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