An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...
Zoe Butt is the artistic director of The Factory Contemporary Arts Centre in Ho Chi Minh City, the first purpose-built space for contemporary art in Vietnam. Founded in March 2016, the Centre was designed by HTAP Architects in an old steel warehouse, with cargo shipping containers added to its structure. Initiated as a social enterprise...
即将于2019年7月13开幕的第二届 Condo Shanghai，联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市，如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城，为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥，《景观/对象WA》（2016）。橡木上固化油墨打印，左: 55.88 × 147.32 cm，中: 121.92 × 152.4 cm，右: 55.88 × 147.32 cm，图片提供：马凌画廊，上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...
This past spring the famed Art Institute of Chicago held a major solo exhibition for Xu Longsen, marking an important milestone in the presentation of contemporary Chinese ink landscape art in the United States. At West Bund Art & Design 2018, Hanart TZ Gallery is pleased to present works by Xu Longsen that further explore the way the monumental landscape art of this modern master creates a completely new method of display within a contemporary architectural context.
Xu Longsen is renowned for his unique approach to melding the vocabulary of traditional ink painting into the language of contemporary art. Breaking through the spatial limitations of the traditional manner of display and challenging architectural space, Xu Longsen opens up limitless new possibilities for the future of ink art.
About Xu Longsen
Xu Longsen's art underscores the continued relevance of shanshui (Chinese ink landscape) painting in the contemporary world, and the monumentality and layered delicacy of his vistas offer a new realm of encounter for a contemporary audience.
Xu Longsen's landscapes challenge the monumentality of modern architecture with their imposing presences. His monumental installations, recently shown at the Museum of Roman Civilization in Italy (2011) and the Palace of Justice in Belgium (2009), astonished viewers with their breathtaking effects that seem to challenge the edifices of architecture with natural peaks that burst through the confines of manmade space. The sublimity hinted at by Chinese classical landscapes here manifests itself in physical presence.
Xu's art is both a radical departure from, and an homage to, the past. His position within the lineage of this important tradition was recognized in the invitation by the Nelson-Atkins Museum of Art in 2013 when he was invited to exhibit his immense horizontal landscape together with the museum's famous collection of masterwork paintings from the 10th to 18th century.
In Spring 2018, the prestigious Art Institute of Chicago presented Xu Longsen's solo exhibition Light of Heaven (February through June 2018), marking the first time the Art Institute has presented an exhibition of contemporary ink painting. Xu's massive installation consists of a set of pillars molded from felt and painted with layers of ink wash, along with a number of breathtaking landscape paintings—all inspired by the mythological Mount Kunlun, home to many Chinese gods and goddesses. With this site-specific installation, Xu again creates an impressive dialogue with the architecture of the site of display, evoking a sense of aesthetic and physical fusion.
Xu Longsen was born in Shanghai in 1956, and graduated from the Shanghai Arts and Crafts College in 1976. He currently lives in Beijing.
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