Anish Kapoor, Louise Bourgeois, Rachel Whiteread, Gerhard Richter. These may not be names that spring to mind when you think of the British Museum, but they all have work filed away in its extensive archive of prints and drawings. 'Pushing Paper: Contemporary Drawing from 1970 to Now' lifts a lid on a lesser-known collection at a museum renowned...

In the traditional sense, 'plastic' has less to do with substance and more to do with character. That character, one of movement and malleability, is rarely observed in consumer plastics, which have already undergone extruding, molding, or casting by the time they reach the market. The noun feels like a broken promise; the thing's essence long...

It can be tiring traipsing around the annual Frieze London art fair in Regent's Park – which is why, when you pass Tokyo gallery Taro Nasu's booth, you may find yourself drawn to a black vending machine.If you're after refreshment, though, prepare for disappointment – because this automated device is an installation by British conceptual artist...

Where does a masterful painter, a portraitist, go after painting the portrait of a First Lady? The answer is in Amy Sherald's grasping, intimate, and serene paintings of subjects she pulls from the crux of life, grasping the heart of the matter in each model. Borrowed from the first chapter of bell hooks's book Salvation: Black People and Love:...

After climbing the stairs of Hauser & Wirth's Chelsea gallery, I encountered Amy Sherald's gripping portrait of a young Black man whose eyes convey a sense of quiet introspection that persists throughout her solo exhibition the heart of the matter... His subtle expression is rendered in shades of grey that contrast with the soft orange and...

They sounded like an odd pairing when the announcement arrived: Eva Hesse and John Chamberlain, featured in the exhibitions, Forms Larger and Bolder: EVA HESSE DRAWINGS and John Chamberlain Baby Tycoons, at Hauser & Wirth's uptown townhouse.While they are clearly separate shows, their proximity nonetheless sets up inevitable — if...

The trouble with [AR]T—an augmented reality initiative produced by Apple in collaboration with the New Museum—began when I tried to get tickets. Because it was framed as a free public art experience, I thought that the [AR]T Walk would be easily accessible, like a drop-in guided tour at a museum. But Apple's home page offered no...

As always, there are many wonderful exhibitions, film festivals, and art events taking place throughout the fall in New York. We've put together our recommendations, and hope that they encourage you to explore the artistic happenings of this great city. Focusing on museums, art nonprofits, and galleries that continue to make New York a global hub...

Below you'll find a fun mix of museum and gallery shows, performances, and film screenings taking place over the next few months in the greater Los Angeles area. We know how hard it is to keep track of all that's going on, so we've compiled some of the events that stood out to us and organized them according to theme and type. We're hoping there'll...

BILBAO, Spain — One of the strangest things about this exhibition is how invisible it is beyond Bilbao. How does it happen that a major artist like Jenny Holzer gets a major retrospective — the largest survey of her work to date — at a major museum like the Guggenheim Museum Bilbao but no catalogue is produced, and there is almost...

Anna Maria Maiolino and I met for this interview over lunch at her home in São Paulo, where we shared a typical Brazilian meal with a plate of rice and beans. This dish was the starting point for the artist's most emblematic works from the late 1970s, Arroz & Feijão [Rice & Beans, 1979] and Monumento à Fome [Monument to Hunger, 1978]. Food,...

Shortly after my review of Amy Bennett's exhibition at Miles McEnery Gallery appeared on the Hyperallergic Weekend, I got an email from Mollye Miller, who, I later learned, is a photographer and poet living in Baltimore. In fact, she and I were published in the same little magazine, Prelude, edited by Stu Watson, but not in the same issue. But all...

The career of Italian artist Piero Manzoni was vanishingly brief; he had his first solo exhibition at the end of 1957, when he was 24, and died of a heart attack in his studio in 1963, five months before his thirtieth birthday.In those handful of years, his goal was nothing less than the regeneration of art as a force in contemporary life —...

'Sculpture,' wrote David Smith in 1951, 'is as free as the mind; as complex as life'. That freedom and complexity is on full display in this exhilarating show of more than 40 pieces by the artist generally regarded as the dominant sculptor of Abstract Expressionism. Ranging across three decades, it traces Smith's development, from early wooden...

Five winners of the Turner prize are demanding an end to BP's sponsorship of the National Portrait Gallery, stepping up the campaign against big oil's involvement in the arts.Antony Gormley, Rachel Whiteread, Anish Kapoor, Gillian Wearing and Mark Wallinger are among a group of almost 80 leading artists, including winners of the BP portrait award,...

Having made her name in the 1990s with quietly compelling pseudo-anatomical sculptures of flesh, Belgian artist Berlinde De Bruyckere has subsequently adopted a less explicit approach in her work.

To get to Roni Horn's home and studio in upstate New York, you drive through farm villages, past horses grazing on meadows, and after a few turns, reach a gate leading to a rugged dirt road. Even on a balmy spring day, the road is covered in a layer of ice. It's a long, winding ascent until you reach another turn, passing by two seal-brown...

In the poem 'Ode to Meaning' by Robert Pinsky, the speaker traverses the sundry terrains in which meaning might be found and sifts through the many guises it might take on. What a reader has to conclude coming to the end of the poem, is that meaning is a fugitive thing, sometimes here, and sometimes there, winking in and out of existence, and...

The first sign that something is different at the gallery Hauser & Wirth is tents that fill its lovely courtyard, hemmed in by a fancy restaurant, an urban garden, a pricey gift shop and many rooms full of blue-chip art. David Hammons is having his first solo exhibition in L.A. in 45 years, and his opening salvo is a heartbreaker.

Mammoth scale paintings of glaciers drenched in nocturnal blues guard Lorna Simpson's Brooklyn Navy Yard studio on a rainy April day. This is the type of blue that permeates the sky at the darkest hour of the night, when above us is so pitch black that the sky resembles a dense blue. The same blue is echoed in Tarell Alvin McCraney's play I_n...

Art Basel 2019 opens to the public on Thursday, June 13, with two preview days, on June 11 and 12. Some 290 galleries from 34 countries will show work at the Swiss fair, which runs through June 16.

Taking place at Denmark's Louisiana Museum of Modern Art, which had been a nobleman's country house before its modernist additions and its transformation into a cultural hub, the exhibition feels eerily like home.

HUMLEBÆK, Denmark — A blond woman is trapped inside a screen on the wall. Titled Open My Glade (Flatten) (2000), this is the first artwork viewers see when they walk into Pipilotti Rist's current exhibition at the Louisiana Museum of Modern Art outside Copenhagen. The woman is Rist, the artist herself. As she smushes her lipstick-smeared face...

The two Piero Manzoni shows on view at Hauser & Wirth, Materials of His Time and Lines, inevitably bring to mind the ample exhibition Gagosian staged a decade ago.