Alexandra Bircken Biography

Alexandra Bircken (b. 1967, Cologne) lives and works in Berlin and Munich.

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In 2019, Bircken will have a solo show at Secession in Vienna.

Recent solo exhibitions include: Carried by Something Else, Galerie der Stadt Schwaz, Schwaz, AT (two-person with Anna Holtz) (2019); Secession, Vienna, Austria, AT (2019); Mammal, Studio Voltaire, London (2018); STRETCH, Crédac, Ivry (2017), Museum Abteiberg, Mönchengladbach (2017) and Kunstverein Hannover, Hannover (2016); Ping, BQ, Berlin (2017); Parallelgesellschaften, K21 Ständehaus, Düsseldorf (2016); Needle, Herald St, London (2016); Eskalation, The Hepworth Wakefield, Wakefield (2014); Museum Boijmans van Beuningen, Rotterdam (2014); Kunstverein Hamburg (2012); Bonner Kunstverein, Bonn (2012); Studio Voltaire, London (2011); Kölnischer Kunstverein, Cologne (2010) and Stedelijk Museum, Amsterdam (2008).

Group shows include: Yorkshire Sculpture International, The Hepworth Wakefield, Wakefield, UK (2019); Forever Young, Museum Brandhorst, Munich, DE (2019); May You Live In Interesting Times, 58th International Art Exhibition of La Biennale di Venezia, Venice (2019); Tainted Love (club edit), Villa Arson, Nice (2019); Herald St | Museum St, London (2019); Sick and Desiring, Hordaland Kunstsenter, Bergen (2019); Naked, Museum Kranenburgh, Bergen (2018); ISelf Collection: Bumped Bodies, Whitechapel Gallery, London (2018); Alexandra Bircken, Josh Brand, Matthew Darbyshire, Michael Dean, Cary Kwok, Amalia Pica, Nicole Wermers, Herald St | Museum St, London (2018); ISelf Collection: Bumped Bodies, Whitechapel Gallery, London (2018); The problem with having a body / is that it always needs to be somewhere, The Approach, London (2017); Trolley, Glasgow International, Tramway, Glasgow (2016); Mapping Bucharest: Art, Memory and Revolution 1916—2016, MAK–Austrian Museum of Contemporary Art, Vienna (2015); Rates of Exchange, Museum of Contemporary Art, Zagreb (2015); Humain non humain, Fondation d’entreprise Ricard, Paris (2014); Fiber in Form, Institute of Contemporary Art, Boston (2014); Ökonomie der Aufmerksamkeit, Kunsthalle Wien, Vienna (2014); The Love of Things, Kunsthalle Münster (2013);A Disagreeable Object, SculptureCenter, New York (2012); Made in Germany Zwei, International Art in Germany, Sprengel Museum, Hannover (2012); Skulpturales Handeln, Haus der Kunst, Munich (2011); Gesamtkunstwerk: New Art From Germany, Saatchi Gallery, London (2011); Undone, Henry Moore Institute, Leeds (2010); Feint Art, Kunstverein Freiburg, Freiburg (2010); Borders, Museum Boijmans Van Beuningen, Rotterdam (2008); Martian Museum of terrestrial Art, Barbican Art Gallery, London (2008); Unmonumental, New Museum of Contemporary Art, New York (2007).

Bircken had a professorship at Central Saint Martins College of Art and Design, London from 2000—2008.

In 2016, Kunstverein Hannover published STRETCH to accompany the artist’s solo show. Other selected publications include: Bircken, Museum Boijmans van Beuningen (2014); Rektudsiastase (2013) Koenig Books/Bonner Kunstverein; Klötze (2006) and Alex Bircken (2004), both published by BQ, Berlin.

Text courtesy Herald St.

Alexandra Bircken
featured artworks

Pinstrike by Alexandra Bircken contemporary artwork sculpture
Alexandra Bircken Pinstrike, 2021 Mannequin, motorbike clothing, nylon tights, padding, crystal, metal stand
188 x 55 x 33 cm
Maureen Paley
Doppelhaushälfte by Alexandra Bircken contemporary artwork painting, works on paper, sculpture, print
Alexandra Bircken Doppelhaushälfte, 2021 Powder coated steel, wax, mannequin leg, branch, doll house, screws, hammer head, digital print on paper, acrylic paint and ball of wool
171 x 60 x 49 cm
Maureen Paley

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