Cinga Samson 's paintings lay bare the complex relationship between contemporary life, African traditions, globalisation, and representation. His strikingly sombre portraits contain similarities to those of contemporary painters such as Toyin Ojih Odutola, Lynette Yiadom-Boakye , Kehinde Wiley , Florine Démosthène, and Tunji...
Seismic Movements , the fifth Dhaka Art Summit, plotted movements, solidarities, and exchanges across the Global South with over 500 artists, scholars, curators, and thinkers.
Jonny Lyons' practice explores the fragility of friendship and adventure through performances documented by photography and film. He often creates ingenious devices, or functioning sculptures, to execute his 'hand-crafted mischief' which are presented—having fulfilled their one purpose—as relics of the event, together with the photographic evidence. But the photographs are not simply documentation of a sequence of anarchic events. They fix the moment between 'cause' and 'effect' and are imbued with wit, melancholy and the physical humour of early silent cinema. In carrying out these processes, collaborations and journeys Lyons attempts to reconcile reckless youth with the pressures of adulthood; these are snap-shots of 'Lost Boys' putting their most dangerous, outlandish ideas into practice and—one feels, with some luck—getting away with it.
Text courtesy Ingleby Gallery.
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