I first visited Havana in November 2016, a few days after Fidel Castro died, and just under a year before Hurricane Irma hit Cuba in September 2017. Since then, much has changed, including the hand-painted signs that punctuate the journey from the airport to the city centre, which today do not celebrate the revolution so much as the 'Unidad y...
The exhibition Beyond Boundaries at Somerset House in London (12 March–2 April 2019) marked the historic contributions of the Central Academy of Fine Arts, Beijing (CAFA) and the Slade School of Fine Art, University College London, on the occasion of their 100th and 150th anniversaries, respectively. Spread across several rooms of Somerset House's...
The National 2019: New Australian Art features work by 70 contemporary Australia-based artists split across three venues: the Art Gallery of New South Wales (AGNSW), Carriageworks, and the Museum of Contemporary Art Australia (MCA) (29 March–21 July 2019), as curated by Isobel Parker Philip, curator of photographs at AGNSW; Daniel Mudie Cunningham,...
The moon as photographed by NASA'a Lunar Reconaissance Orbiter Camera. Courtesy NASA. Image via The New York Times.
COPENHAGEN — Outside Denmark's Louisiana Museum of Modern Art on a recent late-summer morning, a few sunstruck visitors were sprawling on the turf of the sculpture garden, between monumental outdoor works by Alexander Calder and Richard Serra.
Scottish-born multi-disciplinary artist Katie Paterson teases out facets of overwhelming concepts—such as interplanetary time differences, the history of our planet, and the brevity of human lifespans—and makes them digestible. Through her immersive installations, text-based pieces and sculptures, she takes the audience from the massive to the minute, from the cosmological to the deeply personal.
Since graduating with a BA (Hons) from Edinburgh College of Art in 2004, and with a MFA from the Slade School of Fine Art in London in 2007, Paterson has become known for her research-based, conceptually driven process, and her Romantic, poetic and coolly minimalist presentation style.
Paterson uses both everyday and advanced technologies to connect her audiences with the sublime—such as faraway stars, planets, natural phenomena and meteorological events—as seen in Earth-Moon-Earth (Moonlight Sonata Reflected from the Surface of the Moon) (2007), when she converted Beethoven's Moonlight Sonata into Morse code and transmitted it to the lunar surface and back to a player piano.
Paterson is also knowing for reimagining and repurposing ordinary machines and everyday systems. For Vatnajökull (the sound of) (2007–8), she installed a microphone underneath a glacier and broadcast the sounds of the ice melting, live, to any phone that called 0775 700 1122; in her month-long project Streetlight Storm (2009), she set up the lamps on Deal Pier in Kent, England, to flicker anytime there was a lightning strike on Earth; and in Timepieces (Solar System) (2014), she calibrated nine wall clocks to tell the time on the planets in our solar system and on Earth's Moon.
Paterson regularly collaborates with experts to realise her artworks and expand her practice. She has worked together with technicians at the lighting manufacturer OSRAM to take spectral measurements of moonlight and apply it to a custom-made bulb (Light bulb to Simulate Moonlight ); and for All the Dead Stars (2009), she had leading cosmologists and 'supernova hunters' assist her in mapping the locations of just under 27,000 dead stars.
Similarly, Paterson has worked with nanotechnologists to carve a grain of sand down to just 0.00005 mm across, and then tossed it into the Sahara for Inside this desert lies the tiniest grain of sand (2010). In 2013, for Fossil Necklace, she enlisted a specialist stonecutter to hand-carve 170 fossils she had collected, found or bought, into tiny beads. She has also used advanced telescopic technologies to source thousands of detailed images of solar eclipses for her project Totality (2016). Whether consulting specialist space agencies, biologists or architects, or using sophisticated materials, Paterson produces works that prompt viewers to examine their place on Earth and their understandings of time and their own ephemerality.
Paterson has participated in both group and solo exhibitions throughout the United Kingdom and internationally—from London to Edinburgh, New York, Seoul, Berlin and San Francisco. Her artwork has been shown at the Scottish National Gallery of Modern Art, Edinburgh; Solomon R Guggenheim Museum, New York; Art Institute of Chicago; and the Museum of Contemporary Art Australia, Sydney. In 2014, she received the Visual Art award at The South Bank Sky Arts Awards, and in 2010, she became University College London's first artist in residence in the Department of Physics and Astronomy. She is also an Honorary Fellow of Edinburgh University.
When I became an art critic in 1981 one of the first artists I met and wrote about was Sean Scully. At that time I was teaching philosophy in Pittsburgh and he, having recently moved to New York, was as yet without a dealer. We are almost the same age, and to some extent we grew up together. When we first met, he had just made the transition from...
The Ingleby Gallery in the former Glasite meeting hall in Edinburgh is, in contrast, a brilliant adaptation of what at first must have seemed an unpromising space. It was a church with pews and pulpit, but is now a tall, square hall, perfectly plain and beautifully lit form an enormous central skylight. It is ideally suited to the display of...
August: the month Edinburgh is aflame with comedians and spoken word performers vying to out-taboo one another. Amid such faux courage comes a reminder of the real danger of speaking freely: in the cause of love and beauty as well as politics.
Edinburgh is a city whose historic architecture has long played host every August – more or less willingly – to a plethora of different festivities: the flagship Edinburgh International Festival, the Fringe, but also the Book Festival, and even the Book Fringe (a collaboration between indie bookstores Lighthouse and the Golden Hare).
We have sent you an email containing a link to reset your password. Simply click the link and enter your new password to complete this process.
Scan the QR Code via WeChat to follow Ocula's official account.