Ongoing since 2012, the Real DMZ Project interrogates the demilitarised zone (DMZ) between North and South Korea through annual, research-based exhibitions that bring together the works of Korean and international artists. Sunjung Kim, the independent curator behind the project, conceived the idea of exploring the DMZ while curating Japanese artist...
London's galleries and museums are gearing up for a lively October, with Frieze London and Frieze Masters running between 3 and 6 October 2019 at Regent's Park, along with 1-54 Contemporary African Art Fair, taking place across the same dates at Somerset House; and the tenth anniversary of the Sunday Art Fair, showcasing new and emerging artists...
Mark Bradford walks through Mark Bradford: Los Angeles Mark Bradford: Los Angeles at the Long Museum West Bund in Shanghai (27 July–13 October 2019) is the artist's largest solo exhibition to date in China. In this video for Ocula, Bradford and Diana Nawi, curator of the show, walk through selected works that convey the artist's concerns with...
Jane Lombard Gallery is pleased to present Lucy + Jorge Orta's exhibition Potential Architecture. Featuring work from their series 'Derrame', 'Totipotent Architecture', and 'Cells [Diptych]', including painting, sculpture, and works on paper. As an international duo, Lucy + Jorge Orta's symbiotic practice examines social and ecological issues across the globe, this exhibition analyses how the architectures of the human body and inorganic materials interact with internal and external structures.
'Totipotent Architecture' is aligned with Lucy + Jorge Orta's emphasis on universal concerns surrounding shelter and security in their practice. A totipotent cell has an unlimited capability to create new life either organically or synthetically. 'Totipotent Architecture' expands on the concept of body architecture, looking inwards at the cellular level. The Orta's creative process stemmed from a fascination with cell biology and differentiation. Through drawing, modelling and glass blowing the artists transfigure the journey of expansion of the uni-cell. The cell creates new points of habituation, drawing from the architectonic potential of existing structures. The blown glass orbs exist in the delicate balance of their constructed homes.
The Ortas were fascinated by the molecular mechanisms of the conserved cytoskeletal process. They studied the cellular interaction in chromosome mis-sequencing, which produces intricate three-dimensional structures. Lucy and Jorge Orta depict these complex units in their 'Cells [Diptych]' series; including a collection of watercolours and hand-blown glass sculptures offering a singular interpretation of the different stages mitosis and meiosis. The watercolour works on paper dissect the beauty and intricacy of the process and accompany the 'Cell [Diptychs]'. Their individual shapes and density are an homage to the complexity of cells.
The Derrame [Accident] 1977 originates from Jorge Orta's life in Rosaria, Argentina from 1972-1984, under a dictatorship. La Guerra Sucia ('The Dirty War') was a period of terrorism and repression, Jorge Orta imagined the gestural works as an act of 'anti-painting' in this climate of chaos. The title is derived from the Spanish word 'derrame' and it's malleable meaning an outpouring, spill, leak, escape, loss, all are poignant descriptors for the distinctive pigments flowing across the canvas.
In 2014, Jorge Orta began the large format Derrame Assemblages in collaboration with Lucy, becoming an act of rebellion and catharsis. The very origin of the mark in each painting is an effusion of colour, Orta describes it as the 'accidental moment' from which all else flows. The objects placed within the paintings, windows, life preservers, ladders, symbolise safety, migration, mobility and new opportunities, the vessels with which to move through the mayhem, exploring how the restrictions of architecture can also offer liberation.
The exhibition Potential Architecture unites the Orta's multidisciplinary investigation into micro and macro structures. They pursue a line of inquiry that presses society to constantly re-consider and challenge the ways in which constraints can be pushed, reshaped, and inspiring.
Lucy Orta (b. Sutton Coldfield, UK, 1966) and Jorge Orta (b. Rosario, Argentina, 1953) have exhibited at the 46th Venice Biennale International Art Exhibition, Italy (1995); Johannesburg Biennale, South Africa (1997); The Curve gallery, Barbican Art Centre, London, UK and Fondazione Bevilacqua La Masa, Venice Biennale, Italy (2005); Museum Boijmans Van Beuningen, Rotterdam, Holland (2006); Biennial of the End of the World, Ushuaia and the Antarctic Peninsula (2007); Pirelli Hangar Bicocca, Milan, Italy (2008); Natural History Museum, London, UK (2010); MAXXI National Museum of XXI Century Arts, Rome, Italy and Shanghai Biennale, China (2012); Yorkshire Sculpture Park, UK (2013); Herbert F. Johnson Museum of Art, USA and Parc de la Villette, Paris, France (2014); London Museum Ontario, Canada (2015); Attenborough Arts Centre, Leicester and City Gallery and Museum, Peterborough, UK (2016); Les Abbatoirs, France (2016); Frieze Projects London and Centro Cultural Kirchner, Argentina (2017); Ikon Gallery, United Kingdom, Vitra Design Museum, Germany, and The National Museum of Women in the Arts, Washington D.C., USA (2018); De La Warr Pavilion, United Kingdom (2019).
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