An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...
Zoe Butt is the artistic director of The Factory Contemporary Arts Centre in Ho Chi Minh City, the first purpose-built space for contemporary art in Vietnam. Founded in March 2016, the Centre was designed by HTAP Architects in an old steel warehouse, with cargo shipping containers added to its structure. Initiated as a social enterprise...
即将于2019年7月13开幕的第二届 Condo Shanghai，联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市，如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城，为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥，《景观/对象WA》（2016）。橡木上固化油墨打印，左: 55.88 × 147.32 cm，中: 121.92 × 152.4 cm，右: 55.88 × 147.32 cm，图片提供：马凌画廊，上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...
For over five decades, Tess Jaray has explored the geometry of space within our world with her painting. Upon finishing her studies at the Slade School of Fine Art in 1960, she was awarded a grant to travel to Italy: visiting Rome, Florence, Sienna and Venice.
It was during this journey that Jaray experienced at first hand, the work of the Italian masters, who would come to inspire and influence her work. The architectural splendour of Filippo Brunelleschi's cathedral in Florence and Giotto's frescoes in Padua left a lasting impression and informed her own exploration of perspective, space and colour.
Jaray's sixties work should be viewed as the inception of her consummately original interpretation of the tools of the Renaissance masters and their advancements in spatial perception. Jaray's paintings have a resonance in their conversation with the canon of European art history and allows her to examine the deep and all-encompassing power of art and architecture throughout the ages.
The exhibition at S|2 will contain early paintings from the 1960s and related drawings and works on paper.
A fully illustrated catalogue is available with text by Natalie Rudd, and interviews with the artist.
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