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Kate MacGarry
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London, United Kingdom
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Kate MacGarry In Press Archive

Latest Fourth Plinth Artists Reflect Societally Diverse Subject Matter Related Press Latest Fourth Plinth Artists Reflect Societally Diverse Subject Matter 7 July 2021, Artlyst

Samson Kambalu and Teresa Margolles have been announced as the next two artists chosen for the Fourth Plinth commission in Trafalgar Square. They were picked from a shortlist which included Nicole Eis

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When Was the Last Time You Did Nothing? Related Press When Was the Last Time You Did Nothing? 8 October 2020, Frieze

In 1967, Bruce Nauman made his ten-minute, 16mm film Walking in an Exaggerated Manner Around the Perimeter of a Square. Using a Sony Portapak camera borrowed from the gallerist Leo Castelli, Nauman

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Helen Cammock’s “I Decided I Want to Walk” Related Press Helen Cammock’s “I Decided I Want to Walk” 24 September 2020, art-agenda

Helen Cammock’s 19-minute video They Call It Idlewild (all works 2020) presents, in no particular order, the static framing of: a brick wall, a statue, a frayed cobweb, grasses dipping in the breeze

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Brushing History against the Grain: Samson Kambalu and Vincent Meessen Related Press Brushing History against the Grain: Samson Kambalu and Vincent Meessen 30 August 2020, Mousse Magazine

The exhibition History Without A Past, currently on view at Mu.ZEE, Ostend, features recent work by Samson Kambalu and Vincent Meessen. Of all the currents of ideas revealed by 1968, the Situationis

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A “small utopia”? Artists’ film and video online Related Press A “small utopia”? Artists’ film and video online 8 June 2020, art-agenda

In these days of confinement, I’ve turned to classical Hollywood for comfort. Revisiting Ernst Lubitsch’s sublime Design for Living (1933), I came across a line worth noting down: 'Delicacy, as the

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How do art fairs contribute to the climate crisis? Related Press How do art fairs contribute to the climate crisis? 7 June 2019, The Financial Times

As the realities of a global climate emergency begin to sink in, the well-heeled visitors to this year's Art Basel fair can expect to see work that reflects the concerns of the world outside–at least

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Rana Begum is exhibiting memories of Bangladesh at Frieze art fair Related Press Rana Begum is exhibiting memories of Bangladesh at Frieze art fair 27 September 2018, Evening Standard

At Frieze art fair next week, among thousands of artworks, it will be difficult for any one artist to stand out. But the sensual beauty and formal rigour of the works of Rana Begum, the British-Bangla

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Frieze Sculpture 2018: the highlights Related Press Frieze Sculpture 2018: the highlights 4 July 2018, Wallpaper*

Between Wimbledon and the FIFA World Cup, there's been plenty of distractions from London's unusually Mediterranean weather of late.

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5 Questions with Rana Begum Related Press 5 Questions with Rana Begum 2 July 2018, National Museum of Women in the Arts

The fifth installment of NMWA's Women to Watch exhibition series, Heavy Metal, is presented by the museum and participating national and international outreach committees. The exhibition showcases

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Fields of Light and Colour Related Press Fields of Light and Colour 21 March 2017, The Art Newspaper

Rana Begum wins this year’s Abraaj prize with a floating geometric celebration of hues, textures and form.

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The year in, and beyond, the galleries of New York: A relatively concise chronicle of highlights and a top 10 list Related Press The year in, and beyond, the galleries of New York: A relatively concise chronicle of highlights and a top 10 list 23 December 2016, ARTnews

The great thrill for all of us right now is that, just 61, Kerry James Marshall has many more years of painting ahead of him.

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David Noonan’s 'Lead Light' and Renee So’s 'Vessel Man' at Roslyn Oxley9 Gallery, Sydney Related Press David Noonan’s 'Lead Light' and Renee So’s 'Vessel Man' at Roslyn Oxley9 Gallery, Sydney 16 December 2016, Art Agenda

Both exhibitions play with subjective states, ranging from the gloomy to the comically careless, and ask viewers to complete these fantastical narratives by adding a final layer to the composition: their own imagination.

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Rana Begum: Cultural conversations Related Press Rana Begum: Cultural conversations 15 November 2016, Aesthetica

A new and innovative outdoor work by Bangladeshi-British artist Rana Begum is currently installed at King’s Cross, marking the start of a new series of public commissions for the area. No.700 Reflectors, Cubitt Sq. 2016 occupies the full length of Lewis Cubitt Square, measuring 50 metres long and three and a half metres high. The...

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Peter Liversidge: 'my work is solely about engagement' Related Press Peter Liversidge: 'my work is solely about engagement' 20 October 2016, Studio International

Peter Liversidge is a British artist who became known for his use of 'proposals' tailored to a specific project. The proposals vary greatly in their degree of feasibility, but always begin in the same way, typed on a standard European-sized A4 piece of paper. Liversidge’s recent projects include The Bridge, a choral performance of...

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A playful artist insists gallery staff take a nap Related Press A playful artist insists gallery staff take a nap 17 October 2016, Hyperallergic

Work becomes play in Peter Liversidge’s Twofold installation, though its proposals read so formally: “I propose to drop two hundred and fifty thousand 1 cent coins on the floor of the main gallery space.” What? I walk into the main gallery space at Sean Kelly, New York and yes, I’m walking on shiny, copper coins that are...

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Frieze's Abby Bangser on the 2016 edition of the London fairs Related Press Frieze's Abby Bangser on the 2016 edition of the London fairs 6 October 2016, Whitewall

Joining Frieze in January 2015 as the Artistic Director for the Americas and Asia, Abby Bangser has brought over 10 years of experience in the art industry (at institutions like the Solomon R. Guggenheim Museum in New York and the Los Angeles County Museum of Art in California) to assist in the global success of the fairs, particularly with...

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Home and work: Martino Gamper and Francis Upritchard Related Press Home and work: Martino Gamper and Francis Upritchard 25 February 2016, T Magazine

It takes a very specific perspective to appreciate the beauty of linoleum — especially in shades of pea green and dishwater brown. Where most would see cheap industrial material, Martino Gamper envisions endless possibilities. ‘‘I never feel limited by materials, techniques or color in my practice,’’ says the Italian...

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Patricia Treib Related Press Patricia Treib 2 September 2015, ARTFORUM

At first glance, the ease with which the eye travels through one of Patricia Treib's paintings belies the complexity she brings to the canvas.

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Interview with Rana Begum by Patrick Morrissey Related Press Interview with Rana Begum by Patrick Morrissey 12 August 2015, Saturation Point

PM Rana, can you tell me something about the influences, both artistic and otherwise, that have been significant in the development of your practice?' RB I remember one particular day as a ch

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Other Elsewheres: New Zealand at the Venice Biennale Related Press Other Elsewheres: New Zealand at the Venice Biennale 12 June 2015, The Pantograph Punch

New Zealand's official platform at the Venice Biennale began in 2001, and our formal representation was arguably already overdue at this point. There had been anomalous instances of New Zealanders exh

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Renee So, Artist Related Press Renee So, Artist 19 November 2012, Sight Unseen

London artist Renee So found the inspiration for her current body of work in the hallowed halls of the Victoria and Albert Museum, where she'd stumbled upon a collection of so-called German Bellarmine

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Reviews / Renee So Related Press Reviews / Renee So 19 March 2012, Frieze

The first thing that needs to be known, if reproductions are all there is to go by, is that Renee So's two-dimensional works are knitted. These are not flat, static drawings but aerated designs with a

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Artist of the week 175: Renee So Related Press Artist of the week 175: Renee So 2 February 2012, The Guardian

With their penchant for drunken acrobatics and big jolly beards, the characters Renee So brings to life are a lovely gang of odd bods. In the giant 'knitted portraits' she creates on a 1970s pre-compu

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