Brown’s work is of startling contemporary relevance, cleverly approaching many topics from the natural and built environment, disaster, religion, the art world, popular culture, art history, eroticism, and socio-political concerns from modern warfare to mortality during the HIV/AIDS crisis.

Rich in content and innovative in methods of depiction, Brown presaged the subjective and surreal figuration seen in many threads of recent painting.

During his lifetime, art dealer Phyllis Kind was Brown’s exclusive representative, and she was the first to exhibit his work in 1971. Brown’s career abounded with solo and group shows internationally, and notable retrospectives of his work were shown by the Montgomery Museum of Fine Arts in 1980, and at the Hirshhorn Museum in 1987. A longtime resident of Chicago, Brown divided his time between Chicago and New Buffalo, MI, and in the 1980s he began wintering in La Conchita, CA. Brown received his BFA and his MFA at the School of the Art Institute of Chicago.

The Roger Brown Study Collection, maintained by the School of the Art Institute of Chicago with curator Lisa Stone, makes Brown’s prolific art collection and archive available to the public.

Brown’s political paintings were recently featured at DC Moore Gallery, New York and his Virtual Still Life works were highlighted in a solo exhibition at Maccarone, New York. The artist’s work is included in notable private and public collections including The Metropolitan Museum of Art, The Museum of Modern Art, The Whitney Museum of American Art, The Art Institute of Chicago, Museum of Contemporary Art, Chicago, Los Angeles County Museum, Museum of Fine Arts, Boston, National Gallery of Art, and The National Portrait Gallery.

Text courtesy Kavi Gupta.